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Article: Album Review

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by John Sharpe

by John Sharpe

An UnRuly Manifesto feels like the album tenor saxophonist James Brandon Lewis has been working towards since his relocation to New York in 2012. His quintet's standout set at the 2019 Vision Festival was based around this program, no surprise given that this is such a formidable disc. Lewis retains the services of bassist Luke Stewart ...

Article: Live Review

Fano Jazz by the Sea 2019

Read "Fano Jazz by the Sea 2019" reviewed by Libero Farnè

by Libero Farnè

Fano Jazz by the Sea 2019 Fano, varie sedi 18-28.7.2019 Il programma della ventisettesima edizione del festival marchigiano ha combinato con grande intelligenza proposte significative del panorama attuale, ha alternato esperienze e generi diversi, riuscendo a sollecitare la curiosità dello specialista come del grosso pubblico. Il clou del festival ha ...

3

Article: Live Review

Summer Jazz and Fringe Jazz Fest 2019

Read "Summer Jazz and Fringe Jazz Fest 2019" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Summer Jazz & Fringe Jazz Fest Various Venues Copenhagen, Denmark July 10-13, 2019 One of the best things about Copenhagen Jazz Festival is that it is not just one festival, but many festivals in one. During the festival, each corner of the city is filled with music. It ...

5

Article: Live Review

Festival International de Jazz de Montréal 2019: Week 2

Read "Festival International de Jazz de Montréal 2019: Week 2" reviewed by Mark Sullivan

by Mark Sullivan

Various Venues Festival International de Jazz de Montréal Montréal, Canada July 2-6, 2019 The festival celebrated its 40th anniversary this year with the usual dazzling array of musical offerings. And a few that were unusual: including concerts celebrating the 50th anniversary of ECM Records (founder Manfred Eicher was awarded the Bruce ...

36

Article: Under the Radar

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann

by Karl Ackermann

Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...

34

Article: Album Review

Bill Bruford's Earthworks: Earthworks Complete

Read "Earthworks Complete" reviewed by John Kelman

by John Kelman

Since retiring as a professional musician in 2009, progressive/art rock turned jazz drummer Bill Bruford has successfully managed to maintained a place in the public eye. Beyond his engaging, informative and successful Bill Bruford: The Autobiography (Jawbone Press, 2009), the drummer/percussionist has more recently released a second, equally captivating book, Uncharted: Creativity and the Expert Drummer ...

6

Article: Live Review

David Bond at Chris’ Jazz Cafe

Read "David Bond at Chris’ Jazz Cafe" reviewed by Victor L. Schermer

by Victor L. Schermer

David Bond Quartet Chris' Jazz Café Philadelphia, PA June 26, 2019 Alto saxophonist David Bond is new to Philadelphia and probably unfamiliar to jazz fans here. I went to hear him because I am always interested in hearing someone new, and two of the personnel listed were revered ...

6

Article: Album Review

Chuck Deardorf: Perception

Read "Perception" reviewed by Paul Rauch

by Paul Rauch

Before the tech revolution that has ushered in an era of unprecedented growth and global recognition, the city of Seattle was a bit of an outpost in the world of jazz. Since the 1920s, the city has enjoyed a vibrant and innovative jazz scene, often resulting in local musicians backing major international touring artists. The emerald ...

6

Article: Album Review

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by Mark Corroto

by Mark Corroto

The revolution will not be televised. Those words by Gil Scott-Heron from 1970 are more relevant to today's jazz revolution than any time since the mid-1990s, when conservatively-dressed youngsters mimicked the post-bop of the 1960s and were promoted as liberators. More recently, the touted saviors rehash a quasi-spiritual fusion that stands in for à la mode ...

6

Article: Multiple Reviews

Drummers As Leaders

Read "Drummers As Leaders" reviewed by Jerome Wilson

by Jerome Wilson

Drummers are not necessarily the first musicians you think of as bandleaders but there is a long tradition of drummer-leaders in jazz from Chick Webb and Gene Krupa to Art Blakey and Paul Motian. Here are two current, lesser-known drummers who keep that lineage going in different formats. Enrique Haneine The Mind's Mural ...


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