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Three from Henry Kaiser on Balance Point Acoustics
by John Eyles
The Balance Point Acoustics label was set up by double bassist Damon Smith in 2001 to document his own music. In the years since, the label has issued a steady stream of recordings, most featuring Smith. Significantly, the first of the label's releases not to include the bassist was the 2006 Henry Kaiser solo album Domo ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Ian Brighton: Now And Then
by Roger Farbey
Ian Brighton's first album Marsh Gas was released on Bead Records in 1977. This, his second album, is released nearly forty years later. Marsh Gas is now, sadly, a rare and virtually unobtainable artefact (other than the availability of some tracks via YouTube) so it's significant that Brighton's Now And Then has been released to coincide ...
Henry Kaiser/Steve Parker/Damon Smith/Chris Cogburn: Nearly Extinct
by Mark Corroto
The title of this improvising free jazz quartet's release Nearly Extinct, is a reference to the current state of instant composing. The cover lists various players (Albert Ayler, Cecil Taylor, John Coltrane), Bands (ICP Orchestra, SME, AMM, AACM, ISKRA 1903), and refers to differing scenes from San Francisco to London and Wuppertal. That title ...
Axel Dörner/Franz Hautzinger/Mazen Kerbaj/Carl Ludwig Hübsch: Ariha Brass Quartet
by Mark Corroto
The visual component of music has seemingly always been given short shrift by critics, and for that matter, listeners too. Except for the rare instances where a person is born with an acute synesthesia, or the ability to see musical notes as colors or shapes, perception of sound is limited to emotion and the sensation of ...
Hamid Drake Carte Blanche at Bimhuis Amsterdam: PUNKT+ICP
by Henning Bolte
Hamid Drake, Punkt + ICP Bimhuis Carte Blanche Amsterdam January 23, 2016 World-renowned Amsterdam Bimhuis invited illustrious Chicagoan drummer/percussionist Hamid Drake for a carte blanche night on January 23rd. This article covers the event and adds some background notes. Hamid Drake frequently performs at this venue. To date he played ...
Jazz Musician of the Day: Derek Bailey
All About Jazz is celebrating Derek Bailey's birthday today! Bailey was born in Sheffield, England. A third generation musician, he began playing the guitar at the age of ten, going on to study with John Duarte among others. As an adult he found work as a guitarist and session musician in clubs, radio, dance hall bands, ...
Anthony Braxton, Derek Bailey: First Duo Concert
by Enrico Bettinello
Registrato nella prestigiosa Wigmore Hall di Londra, questo concerto del giugno del 1974 costituisce il primo in duo tra Anthony Braxton e Derek Bailey (nonché la prima performance ufficiale del multi strumentista di Chicago in terra d'Albione). Si erano conosciuti pochi anni prima, sempre a Londra e nel 1973 il chitarrista inglese era comparso ...
Jazztopad 2015
by Henning Bolte
National Music Forum Jazztopad 2015 Wroclaw, Poland November 21-25, 2015 The city of Wroclaw by the Odra River in the southwest of Poland has occupied a pre-eminent position throughout its long, turbulent history, and it still does. Wroclaw's Jazztopad festival is a relatively young one. This year celebrated had ...
Sant'anna Arresi Quintet By Evan Parker: Filu ‘E Ferru
by Mark Corroto
The differences between British free jazz and American is an often debated subject. Certainly in the 1960s, at the genesis of free playing, the ocean's divide between continents was easily identifiable. The African and African/American tradition of Jazz informed the experiments of the Art Ensemble of Chicago, John Coltrane, and Anthony Braxton, while the UK players ...
