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151

Article: Book Excerpts

Keystone Korner: Portrait of a Jazz Club

Read "Keystone Korner: Portrait of a Jazz Club" reviewed by Sascha Feinstein


This article appears in the preface of Keystone Korner: Portrait of a Jazz Club by Kathy Sloane (Indiana Univ. Press, 2011). The Keystone Legacy I enjoy imagining jazz clubs as I listen to live recordings, and if those sessions took place at venues I've known, I find it downright difficult not to ...

125

News: Contest

Enter the "Denny Zeitlin - Labyrinth" Giveaway at All About Jazz!

Enter the "Denny Zeitlin - Labyrinth" Giveaway at All About Jazz!

All About Jazz members are invited to enter the Sunnyside “Denny Zeitlin—Labyrinth“ giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on October 18th. Click here to enter the contest (Following Denny Zeitlin at AAJ automatically enters you in the contest.) Good luck! Your Friends at Sunnyside Records Click here to ...

49

News: Birthday

Jazz Musician of the Day: Denny Zeitlin

Jazz Musician of the Day: Denny Zeitlin

All About Jazz is celebrating Denny Zeitlin's birthday today! Denny Zeitlin has recorded over thirty critically acclaimed albums; twice won first place in the Down Beat International Jazz Critics Poll; written original music for Sesame Street; and appeared on network TV, including repeats on the Tonight Show, and CBS Sunday Morning. Zeitlin’s lecture-demonstration “Unlocking the Creative ...

362

Article: Extended Analysis

Denny Zeitlin: Labyrinth

Read "Denny Zeitlin: Labyrinth" reviewed by Dan McClenaghan


Denny ZeitlinLabyrinthSunnyside Records2011 Pianist Denny Zeitlin recorded a handful of fine albums for Columbia Records in the mid-1960s, forward-leaning trio affairs showcasing his often cerebral but always approachable technique and his superb songwriting. This was at a time when he was studying medicine. He became, and continues ...

223

Article: Album Review

Denny Zeitlin: Labyrinth

Read "Labyrinth" reviewed by Raul d'Gama Rose


To Denny Zeitlin the piano is several instruments rolled into one. It is a percussion instrument, struck by fingers and all manner of objets d'art. Together with his feet, which depress the pedals as if they were instrumental peripherals in themselves, Zeitlin makes masterful use of them to split, carve, bend and hang notes. Zeitlin might ...

156

News: Recording

Denny Zeitlin: Labyrinth

Denny Zeitlin: Labyrinth

With pianist Denny Zeitlin, you sense that he isn't quite sure where he wants to end up on any given song. The truth is he isn't. Which is part of what makes him so special and engaging as an artist. Denny courageously rushes out on limbs. But instead of inching back to safety when he hears ...

Album

Precipice: Solo Piano Concert

Label: Sunnyside Records
Released: 2010
Track listing: Free Prelude/What Is This Thing Called Love/Fifth House Part One; Free Prelude/What Is this Thing Called Love/Fifth House Part Two; Out Of My Dreams; On The March; The We of Us; Deluge; Oleo; Love Theme from Invasion of the Body Snatchers; Pulsar; Precipice.

Album

Precipice

Label: Sunnyside Records
Released: 2010
Track listing: Free Prelude/What Is This Thing Called Love?/Fifth House, Part One; Free Prelude/What Is This Thing Called Love?/Fifth House, Part Two; Out of My Dreams; On the March; The We of Us; Deluge; Oleo; Love Theme From the Invasion of the Body Snatchers; Pulsar; Precipice.

385

Article: Year in Review

Dan McClenaghan's Best Releases of 2010

Read "Dan McClenaghan's Best Releases of 2010" reviewed by Dan McClenaghan


These are the CDs that never roamed away from the current listening shelf. Jessica Williams Touch Origin Records Masterpiece isn't a word to be tossed around lightly. Jessica Williams, with the eighty-eight piano keys and a lifetime of musical immersion, has created one with this recording.

243

Article: Album Review

Hubert Nuss: The Book of Colours

Read "The Book of Colours" reviewed by Dan McClenaghan


Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...


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