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Steve Khan: Subtext
by Mark F. Turner
From his obscure gems on Columbia Records--Tightrope (1977), The Blue Man (1978) and Arrow (1979), or the critically acclaimed 1980s Eye Witness recordings, to 2011's Latin-tinged Parting Shot (Tone Center), jazz guitarist Steve Khan continues to deliver his unique artistry--exquisite touch, expressive solos, and warm tonality--that's made his music identifiable. Subtext finds that mastery still intact ...
Garana Jazz Festival 2014
by Adriana Carcu
Garana Jazz Festival Wolf's Meadow Garana, Romania July 10-13, 2014 One of Europe's most visited festivals, taking place on a meadow over 300 ft. high in the Western Carpathians, just had its 18th anniversary. The lineup, a brand mark of the festival director, Marius Giura, combined again tradition ...
Steve Khan: Subtext
by Glenn Astarita
Steve Khan has always been a consummate, story-telling improviser. His extensive resume and distinguished solo career spans jazz fusion, modern mainstream, and with Subtext, he delves a bit deeper into the Latin element, when looking back at his days recording and performing with former Weather Report percussionist Manolo Badrena who was a member of Khan's early ...
Guitarist Steve Khan Returns With "Subtext" (Tone Center) - June 24 Release
With Subtext, the unique trajectory of Steve Khan’s musical story expands and evolves, while re-asserting its linkage to the broad sweep of a fascinating discography, one off to the side of conventional. In short, Khan’s body of recorded work affirms that common ideal and true ambition defining jazz artistry: to create a personal, identifiable voice.Ever the ...
Steve Khan: Subtext
by Dan Bilawsky
Guitarist Steve Khan's latter day work has been increasingly focused on Latin jazz fusion of various shapes, so the scope and direction of Subtext should come as no surprise to his longtime followers. This album arrives three years after Parting Shot (Tone Center, 2011) and runs along similar lines. That one was an originals-heavy, percussively-coated session ...
Niacin: Krush
by Glenn Astarita
After a lengthy hiatus, the high-impact progressive rock and jazz-fusion trio fires back with its 6th studio album. The respective musicians' demanding schedules as first-call session aces and ongoing affiliations with other bands, both in and out of the studio, spans multiple jazz and rock related genres. Here, the trio's vigorous turbo-powered gait remains intact, along ...
Losen Records: New Norwegian Sounds
by Jakob Baekgaard
Mention the phrase the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...
John McLaughlin: Risk, Magic And Mystery
by Ian Patterson
Shortly after completing a successful European tour with the 4th Dimension, guitarist John McLaughlin has some time to put his well-traveled feet up at his home in Monaco and reflect on the evolution of this band, its second CD, Now Here This (Abstract Logix, 2012), and the mysteries of live performance. Yet, just two days before ...
Scott Henderson / Jeff Berlin / Dennis Chambers: HBC
by Glenn Astarita
Not simply a super-group, but more like a jazz-fusion superpower as this formidable trio melds classic fusion works amid a few originals on its debut release, although the artists have crossed paths over the years. Bios and resumes would transcend the limitations of a review or analysis. So, it's the in-your-face attitude, creative impetus, and the ...
Korean Pianist Hey Rim Jeon Performs at Birdland March 29
World-renowned pianist, composer and educator Hey Rim Jeon will be performing at New York City's Birdland Jazz Club on Thursday, March 29, supporting her recent release Introducing Hey Rim Jeon. Jeon will take the stage with Richie Barshay on drums and Luques Curtis on bass at 6pm, prior to Christian McBride's performace later that evening. Tickets ...


