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4

Article: Radio & Podcasts

A Birthday for "Bean" plus the new Matthew Shipp, William Parker, Whitt Dickey trio release

Read "A Birthday for "Bean" plus the new Matthew Shipp, William Parker, Whitt Dickey trio release" reviewed by David Brown


A time-traveling birthday tribute to the father of the tenor saxophone, Coleman “Bean" Hawkins. Plus, we visit the new release Village Mothership from the profoundly creative trio of Whit Dickey, William Parker and Matthew Shipp, and more new releases and acquisitions. Playlist Petter Eldh “Kali Koma" from Koma Saxo (We Jazz Records) 00:00Matthew Shipp ...

Results for pages tagged "David Brown"...

Musician

David Brown

Born:

Born in Albuquerque, New Mexico and raised in Wichita, Kansas, David began playing the guitar at age 14 after brief stints playing the piano, trombone and drums. Initially inspired by the sounds of Van Halen, Rush and Led Zeppelin, David’s musical interests soon took a drastic and life changing turn after being exposed Miles Davis, John Coltrane, Wes Montgomery and other jazz musicians. His interest in jazz led him to the University of North Texas for his first two years of college where he was a Jazz Studies major under Jack Peterson and Fred Hamilton. While there he also played in the Advanced Guitar Ensemble and world renowned Lab Bands and studied classical guitar as his primary instrument. David graduated cum laude from The Wichita State University in 1992 with a BA in music performance while studying jazz and improvised music with Craig Owens

Album

Abstract Playgrounds

Label: Earshift Music
Released: 2018
Track listing: (outtakes from the); Snake Charmers' Convention; Shithead; (intakes from the) Snake Charmers; Deleuzian Lawn Bowls; Forest Song; Afro 1; Afro 2; Time with Black Water; Remember what we Said.

17

Article: Extended Analysis

Light of the Supreme: Carlos Santana’s Devadip Trilogy

Read "Light of the Supreme: Carlos Santana’s Devadip Trilogy" reviewed by Rob Caldwell


To the casual music fan in 1971 Carlos Santana appeared as if he was on top of the world. His band's appearance at Woodstock two short years earlier, plus their cover of Fleetwood Mac's “Black Magic Woman" had catapulted him to stardom. Yet, behind the scenes, his band was splintering. Different musical and personal objectives, plus ...


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