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12

Article: Album Review

Andy Fusco: Remembrance

Read "Remembrance" reviewed by David A. Orthmann


Since 2016 SteepleChase Records has released five discs by alto saxophonist Andy Fusco. This impressive, often stunning body of work goes a long way in raising the profile of a man who had seldom been given the opportunity to record under his own name. While Fusco leads the sessions, he's the antithesis of a star or ...

7

Article: Live Review

Akiko Tsuruga Quintet at William Paterson University

Read "Akiko Tsuruga Quintet at William Paterson University" reviewed by David A. Orthmann


Akiko Tsuruga Quintet Shea Center the the Performing Arts William Paterson University Summer Jazz Room at Home Wayne, NJ July 23, 2020 New York City area jazz venues have begun to make their first steps toward recovery through the vehicle of live streaming. While a band and audience sharing ...

6

Article: Book Review

Kick It: A Social History Of The Drum Kit

Read "Kick It: A Social History Of The Drum Kit" reviewed by David A. Orthmann


Kick It: A Social History Of The Drum Kit Matt Brennan 371 Pages ISBN: #978-0-19-068387-0 Oxford University Press 2020 Matt Brennan's Kick It: A Social History Of The Drum Kit is a complex, meticulously researched piece of work that spans several centuries. In the course of over three ...

2

Article: Album Review

Steve Fidyk: Battle Lines

Read "Battle Lines" reviewed by David A. Orthmann


Battle Lines, the inaugural release of Steve Fidyk's Blue Canteen Music label, bears the stamp of a rhythm section capable of adroitly assuming multiple identities. During large portions of three amiable, bop-oriented tracks, “Bebop Operations," “#Social Loafing" and “Sir John," Fidyk's drums, bassist Michael Karn and pianist Peter Zak move the music along without any fuss ...

4

Article: Album Review

Jocelyn Gould: Elegant Traveler

Read "Elegant Traveler" reviewed by David A. Orthmann


The first thing that attracts attention on Elegant Traveler, Jocelyn Gould's debut as a leader, is her guitar's tone. The sound she coaxes from the instrument has a profound effect on the music as a whole, yet it remains intimate, unpretentious and disarming. Whether Gould is playing a melody, improvising, or offering sparse accompaniment, it is ...

1

Article: Album Review

The New York - Paris Reunion Quintet: Live at the Bird's Eye Jazz Club, Basel

Read "Live at the Bird's Eye Jazz Club, Basel" reviewed by David A. Orthmann


Many of us dearly miss those life-affirming nights in jazz clubs when a band can do no wrong, blowing as if there's no tomorrow, and temporarily washing away the workaday realities of existence. The New York-Paris Reunion Quintet's Live at the Bird's Eye Jazz Club, Basel takes some of the yearning and emptiness out of waiting ...

8

Article: Album Review

Ken Fowser: Morning Light

Read "Morning Light" reviewed by David A. Orthmann


Throughout Morning Light, Ken Fowser's latest Posi-Tone Records release, he poses a welcome alternative to the fast-lane excesses of some of his peers on the tenor saxophone. The first thing that sets him apart is a medium-weight tone which doesn't crave attention or take up too much room. His sound sets an example to the rest ...

4

Article: Book Review

Tasty Jazz Jams For Our Times

Read "Tasty Jazz Jams For Our Times" reviewed by David A. Orthmann


Tasty Jazz Jams For Our Times Debbie Burke 463 PGWA ISBN: #9781079108323 Self Published 2019 Tasty Jazz Jams For Our Times represents a kind of broad, sprawling, inconclusive entry into various aspects of the present state of jazz. While we're accustomed to weighing perspectives on the history of ...

6

Article: Reassessing

In The Moment

Read "In The Moment" reviewed by David A. Orthmann


The trail of splendid hard bop influenced recordings extends well beyond the genre's heyday of the 1950s and '60s. A case in point is trumpeter John Swana's appropriately titled In The Moment. The 1996 release on the Criss Cross Jazz imprint merits the exalted status of its celebrated predecessors. Captured in a one-day studio session, despite ...

1

Article: Album Review

Michael Dease: Never More Here

Read "Never More Here" reviewed by David A. Orthmann


Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...


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