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6

Article: Album Review

Bruce Harris: Beginnings

Read "Beginnings" reviewed by David A. Orthmann


Beginnings sounds as if it's guided by an old hand instead of someone relatively new to the demanding art of leading a band. The debut recording of trumpeter Bruce Harris captures a coherent, homogeneous group sound, while utilizing several different combinations of instruments. Harris ties together material ranging from Harold Arlen, to Bud Powell, to Prince, ...

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Article: Book Review

Jazzing: New York City's Unseen Scene

Read "Jazzing: New York City's Unseen Scene" reviewed by David A. Orthmann


Jazzing: New York City's Unseen Scene Thomas H. Greenland 245 pages ISBN: #978025081606 University of Illinois Press 2016 This week I plan on attending three live jazz performances. I'm fortunate to reside in an area that affords the opportunity to check out a variety of jazz musicians who I ...

4

Article: Album Review

Jon Davis: Happy Juice

Read "Happy Juice" reviewed by David A. Orthmann


Whitney Balliett once wrote, “good musicians do not copy their elders; they only use them as primers." These are words to keep in mind while listening to Jon Davis' Happy Juice, a ten track recital that acknowledges a number of modern jazz piano masters (Herbie Hancock, Bill Evans, Chick Corea, McCoy Tyner, Keith Jarrett, and Red ...

3

Article: Album Review

Walt Weiskopf: Fountain Of Youth

Read "Fountain Of Youth" reviewed by David A. Orthmann


Fountain Of Youth is the latest installment of Walt Weiskopf's mid-career renaissance. In reviews of Weiskopf's three previous Posi-Tone releases, I made the misstep of treating his imposing skills as a tenor saxophonist, composer, arranger, and bandleader as separate, albeit compatible entities; this time around I realized that they are indeed parts of a larger, all-encompassing ...

7

Article: Album Review

Theo Hill: Promethean

Read "Promethean" reviewed by David A. Orthmann


Promethean captures Theo Hill at a significant juncture in his development. The record is ample evidence that the thirty-something New York City-based artist is rapidly securing a place in the crowded field of noteworthy contemporary jazz pianists. On the one hand--particularly during medium and up-tempo cuts such as “This Here," “Hey, It's Me You're Talking To," ...

3

Article: Live Review

John Hart at The Turning Point Cafe

Read "John Hart at The Turning Point Cafe" reviewed by David A. Orthmann


John Hart The Turning Point Cafe Jazz at The Turning Point Cafe Piermont, NY April 24, 2017 In the midst of a second week of suffering from a particularly virulent strain of the flu, John Richmond should be taking it easy. Moving in a sluggish manner, avoiding close contact with ...

1

Article: Live Review

Mark Hagan's Jazz Salon At The Old 76 House

Read "Mark Hagan's Jazz Salon At The Old 76 House" reviewed by David A. Orthmann


Mark Hagan The Old 76 House Jazz Salon Tappan, NY April 19, 2017 There's nothing quite like the experience of being captivated by a live performance in a matter of seconds after the band hits. Without having to stop to think about it, you realize that the intellect and ...

3

Article: Live Review

Lewis Nash and Steve Wilson at JazzNights

Read "Lewis Nash and Steve Wilson at JazzNights" reviewed by David A. Orthmann


Lewis Nash and Steve Wilson Hockaday/Jones Barn JazzNights Hopewell, NJ April 9, 2017 Two tacit, entwined propositions animated a performance by Lewis Nash and Steve Wilson at JazzNights, a long running concert series in the Princeton, NJ area curated by Mary Wisnovsky and Maitland Jones. The first is that it's ...

7

Article: Album Review

Shawn Baltazor: Lionsong

Read "Lionsong" reviewed by David A. Orthmann


It's difficult to resist the temptation to praise Shawn Baltazor's startling, diverse, incisive, multifaceted drumming at the expense of his equally impressive abilities as a composer and bandleader. Baltazor is one of the legions of young, gifted New York City area artists whose catholic tastes in music are transformed into idiosyncratic, open-ended methodologies, which ultimately engender ...

5

Article: Album Review

Billy Mintz: Ugly Beautiful

Read "Ugly Beautiful" reviewed by David A. Orthmann


Consisting of seventeen tracks spanning over two hours of playing time, Ugly Beautiful is a large, sprawling, wise, unflinchingly honest, powerful work of art. Billy Mintz's third recording as a leader--all of which were made in the most recent decade of a fifty-year plus career--stubbornly refuses to conform to stylistic boundaries and gleefully defies expectations of ...


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