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John Blevins: Matterhorn
by Dave Wayne
Back in the 1960s, when the music now commonly known as fusion was called “jazz-rock," the earliest bands to get plastered with said label were essentially funk and rock rhythm sections--guitar, bass, keys and drums, plus or minus congas--with a lead singer and a jazzy horn section tacked on. Think Blood Sweat and Tears, or Tower ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though New York City remains first and foremost in everyone's mind as the “Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, Sonny ...
Slivovitz: All You Can Eat
by Dave Wayne
Freely grabbing inspiration from all manner of styles, the Neapolitan band Slivovitz functions as a high- efficiency musical omnivore, digesting and reworking different aspects of seemingly disparate raw materials into a seamless, organic whole. All You Can Eat, an appropriate title for the band's fourth long player (and their third for MoonJune), doesn't appear to be ...
Amina Figarova: Blue Whisper
by Dave Wayne
Pianist and composer Amina Figarova is truly a citizen of the world. Born and raised in Baku, Azerbaijan, she decamped to the Netherlands in the 1980s to study at the Rotterdam Conservatory, and then to Boston in 1989 to continue her studies at Berklee. Blue Whisper is her 12th recording as a leader, but her first ...
David Gilmore: Energies of Change
by Dave Wayne
David Gilmore's career started off with a bang. He worked with Steve Coleman through the 1990s, appearing on at least nine recordings either led, or instigated, by the renowned saxophonist, composer, bandleader, and recent MacArthur Award recipient. Since emerging from Coleman's M-BASE fold, Gilmore has worked with a stunning variety of artists both inside and outside ...
Marbin: Aggressive Hippies
by Dave Wayne
Far from being just another jazz-rock fusion band, Marbin occupies their own stylistic space. More an instrumental rock band than a jazz fusion band, Marbin's music seems to come from the guitar hero world of Joe Satriani, Steve Vai and Joe Bonamassa. But there's a good deal of other stuff going on in their music. Steeped ...
The Necks: Vertigo
by Dave Wayne
Permit me a moment on a soapbox. Improvisation is merely a process, just as composition is a process. It is simply a way to organize sound. There are no imperatives, no agendas. Just spontaneity and interaction. Contrary to what's been drilled into your head over the years, improvisation doesn't necessitate “harsh" or “abrasive" sounds. In the ...
Marnix Busstra: Firm Fragile Fun
by Dave Wayne
Let's get one thing out of the way: guitarist and leader of the eminently capable quartet featured on Firm Fragile Fun Marnix Busstra sounds a great deal like John Scofield. Busstra's tone, phrasing, attack, and even his choice of guitar parallel those of the celebrated solo artist and ex-Miles Davis plectrist. When he digs into the ...
Daniel Fortin: Brinks
by Dave Wayne
Toronto-based bassist Daniel Fortin is best known for his work in MYRIAD3, a dynamic, forward-looking piano trio whose work superficially resembles that of The Bad Plus and the Esbjörn Svensson Trio in that they're young guys in a piano trio who don't play jazz the way most piano trios play jazz. Fortin's solo debut, Brinks is ...
Tyler Kaneshiro: Amber of the Moment
by Dave Wayne
First impressions mean everything. Amber of the Moment, trumpeter / composer Tyler Kaneshiro's debut album opens with a cloying cover of Bjork's “Who Is It." While nicely rendered, and suitably arranged, Kaneshiro's version plays it safe, replacing all of the oddness of the original with slick nu-jazz gloss. The cover of Bon Iver's “Holocene" fares better, ...
