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24

Article: Interview

Eric Revis: Trajectory From The Tradition

Read "Eric Revis: Trajectory From The Tradition" reviewed by R.J. DeLuke


The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be ...

8

Article: Album Review

Eric Revis: Eric Revis: In Memory Of Things Yet Seen

Read "Eric Revis: In Memory Of Things Yet Seen" reviewed by John Sharpe


Although the title to bassist Eric Revis' quartet offering appears to pay homage to some of the early AACM documents (think pianist Muhal Richard Abrams' unaccompanied manifesto Things To Come From Those Now Gone (Delmark, 1975)), the actuality is a different animal entirely. Having rung the changes since the acclaimed City of Asylum, Revis' outfit acts ...

3

Article: Album Review

Eric Revis Quartet: In Memory of Things Yet Seen

Read "In Memory of Things Yet Seen" reviewed by Vincenzo Roggero


Nel corso degli anni la figura artistica di Eric Revis--giunto alla ribalta delle cronache jazzistiche per la lunga permanenza nel quartetto di Branford Marsalis, qui presente in due brani--è andata acquisendo i contorni di musicista che, pur senza la pretesa di cambiare le sorti del jazz, ne è diventato esponente di spicco, dalla consistente vena creativa ...

9

Article: Album Review

Eric Revis Quartet: In Memory Of Things Yet Seen

Read "In Memory Of Things Yet Seen" reviewed by Glenn Astarita


Bassist Eric Revis has performed and recorded with saxophonist Branford Marsalis' bands since 1997, and is a first-call session artist. Marsalis appears on two tracks for the bassist's third solo date on the progressive Portugal-based label, Clean Feed Records. The core quintet features a formidable frontline with tenor saxophonist Bill McHenry and alto saxophonist Darius Jones. ...

13

Article: Extended Analysis

Eric Revis: In Memory Of Things Yet Seen

Read "Eric Revis: In Memory Of Things Yet Seen" reviewed by Henning Bolte


Bassist Eric Revis is a heavyweight in more than one respect. He is doing the improbable in a remarkable way, thereby ignoring collectively imposed and maintained demarcations at work. Armed with his physically very present, raw and vibrant bass sound he beats his track into the realms of freely improvised music. He made his debut as ...

1

News: Event

Darius Jones To World Premiere New Work, The Oversoul Manual, At Roulette, Brooklyn On March 6

Darius Jones To World Premiere New Work, The Oversoul Manual, At Roulette, Brooklyn On March 6

On Thursday, March 6, composer-alto saxophonist Darius Jones will present the world premiere of The Oversoul Manual at Roulette in Brooklyn. An a cappella work crafted in and utilizing a heretofore unheard alien language, it will be performed by his all-female vocal quartet, The Elizabeth-Caroline Unit, featuring Amirtha Kidambi, Sarah Martin, Jean-Carla Rodea, Kristin Slipp. Introducing ...

Album

Life in the Sugar Candle Mines

Label:
Released: 2013
Track listing: 01. Hover; 02. Ayler's Children; 03. Citizen Rose; 04. Test- Sunday; 05. Amsterdam/Frames; 06. Gromek; 07. Wrestling; 08 May Be Home. Tutti i brani sono di Gerald Cleaver, tranne "Frames", di Dairus Jones, Brandon Seabrook, Gene Ashton, Pascal Niggenkemper, Gerald Cleaver. "Wrestling" tratto da Mikrokosmos No. 108, di Béla Bartók.

9

Article: Album Review

Evan Parker/ Matthew Shipp: Rex, Wrecks & XXX

Read "Rex, Wrecks & XXX" reviewed by John Sharpe


Few barriers remain in jazz. Certainly not geographical or generational. Even genre does not present insurmountable obstacles. Were it needed, further confirmation arrives in the shape of a meeting between two distinctive stylists: American pianist Matthew Shipp and English saxophone iconoclast Evan Parker. Far from being their first encounter, the pair know each other well, having ...

9

Article: Album Review

Adam Lane Trio: Absolute Horizon

Read "Absolute Horizon" reviewed by John Sharpe


Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he ...

8

Article: Album Review

Adam Lane Trio: Absolute Horizon

Read "Absolute Horizon" reviewed by Glenn Astarita


Adam Lane is among the best and brightest of the new wave of forward- looking jazz and improvising bassists, who along with his formidable cohorts exploit the trio format. Here, every inflection, tonality and nuance becomes prominently embedded into the group's stylization which is based on instant composition. No doubt, the musicians' astonishing synergy is a ...


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