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1,103

Article: Interview

Forbes Graham: Magenta Haze

Read "Forbes Graham: Magenta Haze" reviewed by Gordon Marshall


Forbes Graham isn't hell-bent on taking the jazz world over by fiat. Then again, a sterling tone like Louis Armstrong's, a sense of stride and a sidewinder sleekness position him to do so. He brings spot-on timing, inherited from his key precursor, Don Cherry, into the icy age of post jazz--and swings, too, situated ...

149

News: Interview

POW! Darius Jones

POW! Darius Jones

The Brooklyn jazz scene has been a boon to New York, fostering a defiantly local culture that the city's biggest clubs (Blue Note, Vanguard, etc) sometimes lack. In Greenwich Village, you see top jazz stars deliver polished performances; at Brooklyn events like the New Languages Festival, you see scruffy young musicians experimenting, developing, emerging. Yet there's ...

126

News: Event

Three Nights of Darius Jones @ Roulette!

Three Nights of Darius Jones @ Roulette!

PointofDeparture.org's Ed Hazell writes, “alto saxophonist Darius Jones delivers one of the most impressive debuts in recent memory, displaying a remarkably well-developed concept and individual sound. Jones has a big, fleshy, lived-in tone, with a vibrato that owes as much to Johnny Hodges as it does to Albert Ayler. It's defiant, vulnerable, proud, and weary; there ...

Album

Man'ish Boy

Label: AUM Fidelity
Released: 2009
Track listing: 1. Roosevelt - 01:14; 2. Cry Out - 07:03; 3. We Are Unicorns - 04:04; 4. Meekness - 05:32; 5. Salty - 02:51; 6. Chasing the Ghost - 09:44; 7. Big Train Rollin' - 05:28; 8. Forgive Me - 05:48; 9. Chaych - 10:15.

Album

Man'ish Boy (A Raw & Beautiful Thing)

Label: AUM Fidelity
Released: 2009
Track listing: Roosevelt; Cry Out; We Are Unicorns; Meekness; Salty; Chasing The Ghost; Big Train Rollin'; Forgive Me; Chaych.

341

Article: Album Review

Darius Jones: Man'ish Boy (A Raw & Beautiful Thing)

Read "Man'ish Boy (A Raw & Beautiful Thing)" reviewed by John Sharpe


Matthew Shipp once opined that Darius Jones arrived on the scene fully formed, and that is not far from the truth. His first appearance of note was at the 2008 Vision Festival, as part of trumpeter Lewis Barnes' Hampton Roads, confirming that Virginia native Jones was indeed the real McCoy. This debut recording with his own ...

Article: Album Review

Darius Jones: Man'ish Boy

Read "Man'ish Boy" reviewed by AAJ Italy Staff


Nel suo primo CD da leader Darius Jones, contraltista e compositore trasferitosi da Richmond a New York nel 2005, si rivela uno strumentista notevolissimo. Non sono certo gli impianti tematici e strutturali a costituire l'aspetto innovativo e rilevante di Man'ish Boy, inciso in studio nell'aprile 2009: si tratta infatti di nuclei melodico-ritmici semplici e insistiti, ideali ...

606

Article: Live From New York

November 2009

Read "November 2009" reviewed by AAJ Staff


Muhal Richard Abrams and Fred AndersonCommunity Church of New YorkNew York, NY October 16, 2009Muhal Richard Abrams and Fred Anderson are not quite of the same island. The same Chicago archipelago, sure, but Anderson has more hovered around than been an active member of the Association for the Advancement of ...

224

Article: Album Review

Joe Morris: Fine Objects

Read "Fine Objects" reviewed by Mark Corroto


Guitarist Joe Morris continues his 2002 experimentation with the double-bass. On Fine Objects, he leads a trio of saxophone, bass, and drums through two of his own compositions, a couple of trio improvisations, and other compositions by Ornette Coleman, Eric Dolphy, Larry Clinton and Petr Cancura. Morris chose two former students from the New ...

163

News: Radio

The Jazz Session #97: Darius Jones

The Jazz Session #97: Darius Jones

Virginia-born saxophonist Darius Jones wants to tell his story, and hes chosen as his vehicle his new album, Manish Boy (AUM Fidelity, 2009). This is an album born of economic poverty and emotional wealth. Joining Jones are multi-instrumentalist Cooper-Moore and drummer Rakalam Bob Moses. This powerful and beautiful album is an important statement by a voice ...


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