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Rudy Royston: 303
by Dan Bilawsky
Drummer Rudy Royston's actions speak louder than his words. Royston oozed modesty, comfort and a touch of humor when he addressed the audience at a pre-release show for 303 during New York's Winter Jazzfest, but he gave off a much different sense of himself when he put sticks to skins during that same set. One minute ...
Sketches: Volume One
by Dan Bilawsky
Compositional specificity can be a blessing and a curse. It's easy to understand how having every last instruction set to paper can be helpful when it comes to starting the music making process, but the flip side of that argument is that there's nothing left to actually create if everything is already there in black and ...
Bob Dorough: Eulalia
by Dan Bilawsky
Hipness springs eternal from the mind, mouth and hands of Bob Dorough. The cool-as-can be Schoolhouse Rock! songsmith who's worked with everybody from trumpeter Miles Davis to precocious singer-songwriter Nellie McKay may have turned ninety in December of 2013, but age hasn't slowed him down too much; his wit is still razor-sharp and he still has ...
Jerry Bergonzi: Two More DVDs from the Master Educator
by Dan Bilawsky
There are plenty of stellar musicians who can't teach and plenty of fine educators who lack the skills or know-how to play at a top-tier level. There aren't a lot of internationally acclaimed musicians who are also viewed the world over as exceptional teachers; saxophonist Jerry Bergonzi is one of the few. Bergonzi ...
Omar Sosa: Senses
by Dan Bilawsky
Pianist Omar Sosa seems to have a split personality: He's the extroverted dazzler who exudes vivacity and leads the charge, but he's also the introverted-and-contemplative pianist who muses and meditates with fingers on keys. Much of his work allows for both aspects of his artistry to shine; Senses does not. This one is all about the ...
Kate McGarry and Keith Ganz: Genevieve & Ferdinand
by Dan Bilawsky
There is no greater beacon of sincerity, honesty and emotional purity than Kate McGarry. She's proven it time and again, whether singing standards, modern day favorites, originals or obscurities, and she does so once more on Genevieve & Ferdinand. In some ways this album marks a new beginning for McGarry; it's her first ...
Sarah Manning: Harmonious Creatures
by Dan Bilawsky
In order to create the music for Harmonious Creatures, saxophonist Sarah Manning had to put the hustle and bustle behind her. She picked herself up and took to the woods, composing and communing with nature at the MacDowell Colony in New Hampshire where she was living out her time as a MacDowell fellow in October of ...
Matt Wilson Quartet + John Medeski: Gathering Call
by Dan Bilawsky
Drummer Matt Wilson may define the ideal of unabashed enthusiasm better than anyone else in jazz. His cymbals and drums even seem to be smiling when he sets sticks to them, so it should come as no shock that musical zeal is a key factor in the success of Gathering Call. For his eleventh album as ...
Frank Wess: Magic 201
by Dan Bilawsky
What a wonderful coda on an incredible life and career. Saxophonist/Flautist Frank Wess' final recordings--the critically acclaimed Magic 101 (IPO, 2013) and this follow-up, recorded two months after that album--speak to his brilliance and clarity as a melody maker and improviser. His wisdom and elegance come through in every note on both recordings. ...
Edward Simon: Venezuelan Suite
by Dan Bilawsky
Venezuelan Suite is pianist Edward Simon's love letter to his homeland, but that's not all it is; it's the perfect confluence of Venezuelan ideals, jazz language and chamber-esque sophistication. In short, it's a masterpiece. While every country has its musical adherents in American jazz circles, some are sorely underrepresented. That's why it's so ...
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