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319

Article: Album Review

Damian Erskine: So To Speak

Read "So To Speak" reviewed by Dan Bilawsky


Bassist Damian Erskine is a master in the art of rhythmic trickery. Erskine, the nephew of famed jazz drummer Peter Erskine, has put together a program of original music that demonstrates his skills as a bassist, composer, and manipulator of time. The material here, whether placed in an odd time signature or simply feeling like it ...

612

Article: Old, New, Borrowed and Blue

Remembrance: Paying Tribute Through The Art Of Jazz Composition

Read "Remembrance: Paying Tribute Through The Art Of Jazz Composition" reviewed by Dan Bilawsky


Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...

414

Article: Album Review

Ryan Keberle: Heavy Dreaming

Read "Heavy Dreaming" reviewed by Dan Bilawsky


Brass band-oriented projects seemed to be all the rage in 2009. Dave Douglas, leaning on the work of Lester Bowie and the heritage of the Crescent City, garnered great critical acclaim and artistic success with his Brass Ecstasy project. Saxophonist David Binney created a mysterious and intriguing blend between a guest brass section and his core ...

407

Article: Album Review

Ehud Asherie: Modern Life

Read "Modern Life" reviewed by Dan Bilawsky


A dichotomy exists within the musical mind of pianist Ehud Asherie. The youthful pianist is clearly an old soul in many ways. His choice of material--including tunes from George Gershwin, Billy Strayhorn and Jerome Kern--combined with his knowledge of stride piano and fondness for the jazz masters of the early twentieth century are a throwback. However, ...

230

Article: Album Review

Pablo Held: Music

Read "Music" reviewed by Dan Bilawsky


Using the word “music" as an album title can be viewed as a bold and defining statement . . . or a simple word choice. Whether Held wanted to raise some eyebrows here or he was simply choosing an album title doesn't matter . . . but the music does! Held's original works defy easy description. ...

329

Article: Album Review

Mark Egan: Truth Be Told

Read "Truth Be Told" reviewed by Dan Bilawsky


Mark Egan often provides subtle accompaniment, holding things together with his bass work and making other musicians look good in his role as a studio musician. The music on Truth Be Told shows off his extroverted side as he blazes through an assortment of funk/fusion tracks with some formidable sidemen along for the ride.

263

Article: Album Review

Chris Cheek / Victor Prieto: Rollo Coaster

Read "Rollo Coaster" reviewed by Dan Bilawsky


While all musical settings present different challenges to those involved, duo recordings can often be the hardest to manage well. Repetitive textural elements, characteristic of the instruments on hand, can create a certain similarity across all tracks. Some musicians fall prey to wandering free improvisation, finding various degrees of success or failure, as they try to ...

411

Article: Album Review

Frank Kimbrough: Rumors

Read "Rumors" reviewed by Dan Bilawsky


Timing is everything, whether discussing music, sports or life in general, and this certainly proves to be the case with the recording of Rumors. In September of 2009, jazz photographer and occasional producer Jimmy Katz made a last minute offer to record pianist Frank Kimbrough in a setting of his choice. Kimbrough, having just played with ...

229

Article: Album Review

The Trio: "Live" @ Charlie O's

Read ""Live" @ Charlie O's" reviewed by Dan Bilawsky


High-brow concept albums and lofty recording projects seem to come out every day and many people tend to get hung up on ideas, overlooking the fact that actual musicianship is also central to the art of creating music of substance. Sometimes, some of the most satisfying musical moments simply arrive when like-minded musicians sit down and ...

374

Article: Album Review

Mark Weinstein: Timbasa

Read "Timbasa" reviewed by Dan Bilawsky


It's not uncommon to hear about an alto player moving to tenor, or vice versa, in an attempt to grow musically, develop a different sound or avoid getting stale. Likewise, plenty of people branch out within the woodwind or brass families, like a saxophonist learning to double on flute or a trumpet player doubling on valve ...


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