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Matt Wilson's Arts And Crafts: An Attitude For Gratitude
by Dan Bilawsky
Drummer Matt Wilson may be the supreme human confluence of technique, swing, spirit, humor and musicality. Over the past 20 years, Wilson has proven to be one of a select few that can balance an inside/outside aesthetic, often within a single piece of music. He has helped shape the music of Dewey Redman, Charlie Haden, Either/Orchestra, ...
Gregory Porter: Be Good
by Dan Bilawsky
Debut albums often serve as fine introductions to the work of fledgling artists with potential for greater things, but that wasn't the case with Gregory Porter's Water (Motéma, 2010). Porter's debut, which was nominated for a Grammy Award, presented a vocal soul-jazz juggernaut that seemingly materialized out of thin air as a fully matured musical entity. ...
Luis Perdomo: Universal Mind
by Dan Bilawsky
While pianist Luis Perdomo has earned plenty of praise for his work in Latin jazz settings with different artists such as percussionist Ray Barretto and saxophonist Miguel Zenón, classifying him as a “Latin jazz pianist" would be a mistake. Perdomo may earn his daily bread playing piano with many Latin luminaries and legends-to-be, but his work ...
Ehud Asherie with Harry Allen: Upper West Side
by Dan Bilawsky
The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin, Jerome Kern and Tadd Dameron, but when the album reaches its ...
Hristo Vitchev / Weber Iago: Heartmony
by Dan Bilawsky
The choice between widening ones circle of musical partners or deepening relationships that already exist is often something with which musicians wrestle. While finding new collaborators can help in the networking department and open up new avenues of possibility in sound and style, continual exploration with a kindred spirit may help both parties in their pursuit ...
Frank Herzberg Trio: Handmade
by Dan Bilawsky
The letter “B" has played a major role in Frank Herzberg's life. The Berlin-born bassist, who spent time honing his craft at Berklee, relocated to Brazil in 1997 and has been busy performing and recording music there ever since. While Herzberg's career choices probably have nothing to do with adding alliterative qualities to his biography, they ...
Elio Villafranca and Arturo Stable: Dos Y Mas
by Dan Bilawsky
Pianist Elio Villafranca and percussionist Arturo Stable have the world at their fingertips. They originally hail from Cuba, where they received classical training and soaked in the sounds of the people before coming Stateside. But they don't limit their vision to their mutual point of origin. Spain, the Middle East and Africa, along with the sounds ...
Tom Wetmore: The Desired Effect
by Dan Bilawsky
A wide gulf often separates a composer's intent in the creation of his/her work and a listener's interpretation upon hearing it. While musicians try to capture or convey a certain sound, mood, spirit or energy in their recorded work, they can't control the environment and circumstances surrounding a consumer's exposure to it, and pianist Tom Wetmore ...
Gary Smulyan: Smul's Paradise
by Dan Bilawsky
While the tenor saxophone is no stranger to organ group gatherings, its big brother rarely comes to the party. It's hard to say whether a lack of interest amongst baritone saxophonists, insufficient opportunities for such combinations, or a paucity of players capable of pulling it off is responsible for this issue, but Gary Smulyan won't stand ...
Two Sides Of The Trio Coin: Sebastian Liedke and Heniu
by Dan Bilawsky
These two albums make it abundantly clear that bassist Sebastian Liedke doesn't look at music as a unidirectional art form, and his life experiences likely have a lot to do with his outlook. The young, Berlin-based artist had put his instrument on the back burner while he was gainfully employed as a civil engineer, but lack ...
