Home » Search Center » Results: Curtis Fuller
Results for "Curtis Fuller"
Eddie Henderson: Everything Changes
by Ian Patterson
Eddie Henderson made his name in Herbie Hancock's Mwandishi band in the early 1970s, at the dawn of jazz-fusion--a new frontier. It was undoubtedly a launching pad that saw the New York-born trumpeter go on to play with Art Blakey and The Jazz Messengers, Elvin Jones, Archie Shepp, Pharoah Sanders and McCoy Tyner. Yet ...
Joe Farnsworth: Straight From The Soul
by Steven Roby
One of the most highly regarded jazz drummers today, Joe Farnsworth, is known for his blazing speed, precision, and musical and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional ...
Songbirds: An Interview with Singer Judy Niemack
by Peter Rubie
Apart from their mutual respect for each other, and the fact that they are jazz singers, there isn't a lot, superficially, that you would think Judy Niemack and Jay Clayton have in common. But you'd be wrong. Both have a classical music background, Clayton at Miami University in Oxford, Ohio, before moving ...
John La Barbera Big Band: Grooveyard
by Jack Bowers
Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones.
Judy Niemack - Jay Clayton: Voices in Flight
by Katchie Cartwright
While veteran vocal improvisers Judy Niemack and Jay Clayton have known each other since the '70s, Voices in Flight marks their first time together in the studio. They have performed some of the album material in live shows since the early 2000s, including their medley of “Body and Soul" and Idrees Sulieman's gorgeous contrafact of it, ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...
Ryan Kisor: Awakening
by C. Andrew Hovan
A man of few words, Ryan Kisor chooses to let his horn do the speaking and obviously it has said volumes over the years when you consider that the trumpeter is one of a select few musicians who has managed to sustain a viable career past the heydays of the jazz renaissance of the '80s and ...
Steve Davis: Correlations
by C. Andrew Hovan
Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly ...
Steve Davis: Systems Blue
by C. Andrew Hovan
From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...
Peter Beets: New York Trio Page Two
by C. Andrew Hovan
In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such ...
