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Orrin Evans' Captain Black Big Band: Mother's Touch
by Mark Corroto
Nobody does big bands these days. Nobody. Not without institutional support like a university or a foundation. Not unless you are Orrin Evans. The Philadelphia pianist writes and arranges music so appealing, a revolving cast of musicians can't resist playing his music. While we will never see an independent outfit like the Captain Black Big Band, ...
Seamus Blake and Chris Cheek: Reeds Ramble
by Bruce Lindsay
Saxophonists Seamus Blake and Chris Cheek are both into their third decades as professional musicians. Their working relationship goes back to the early-90s when Cheek was a member of Blake's “alternative grunge jazz" band The Bloomdaddies. On Reeds Ramble (the title is borrowed from a tune written by guitarist Jerry Reed) the two men lead a ...
Zach Brock: Purple Sounds
by John Kelman
Virtuosity isn't defined by notes-per-minute; true virtuosity is instrumental mastery surrendering to the demands of the song. Sometimes that can mean shredding with furious intensity, yes; but the real deal also respects music that demands less, rather than more. Violinist Zach Brock is, indeed, the real deal, and Purple Sounds, his second release for Holland's Criss ...
Misha Tsiganov: Misha Tsiganov: The Artistry Of The Standard
by Edward Blanco
Veteran Russian pianist Misha Tsiganov has an extensive discography featuring original compositions and, like most musicians, blending a few standards for familiarity along the way. With The Artistry Of The Standard, the pianist presents an entire album of standards reprising the music of jazz greats Wayne Shorter, Charlie Parker, Wes Montgomery and John Coltrane among others. ...
Donald Edwards: Evolution of An Influenced Mind
by Mark F. Turner
With Evolution of An Influenced Mind , drummer Donald Edwards makes a piercing statement about his percussiveness and musicality. Having gained attention for his craftsmanship on a number of noteworthy Criss Cross dates-- Introducing Opus 5 (2011) and Orrin Evans's excellent It was Beauty (2013)--Edwards's debut on the prolific Dutch jazz label is a cohesive work ...
Donald Edwards: Evolution Of An Influenced Mind
by Andrew Luhn
In recent years, Donald Edwards has become a familiar name in the Criss Cross catalogue. His drumming can be heard on six previous Criss Cross releases, but on Evolution of an Influenced Mind, Edwards makes his debut as a leader. His sensitive and protean drumming has made him a first-call sideman in New York, but this ...
Donald Edwards: Evolution Of An Influenced Mind
by Dan Bilawsky
Donald Edwards is one of those drummers that seem to be taken for granted. He's constantly being called upon to support others, shaping moods and grooves on record for everybody from saxophonist Dayna Stephens to trombonist Conrad Herwig to vocalist Carolyn Leonhart, but he's largely avoided being in the spotlight. He's only released two other leader ...
The Artistry of the Standard
by Andrew Luhn
On the homepage of Misha Tsiganov's website is a quote that reads “Falling in love with jazz is exactly like falling in love with a person... Except with jazz you never get over it..." This quote serves as an appropriate introduction for the Russian-born pianist's Criss Cross debut, The Artistry of the Standard. On this album ...
Criss Cross Jazz Roundup
by C. Andrew Hovan
In the past several years there has been a marked change in the jazz landscape that has somehow managed to further spread the demarcation lines between those musicians who practice mainstream leanings and those with a hyper vigilance towards the new avant-garde. Oddly enough, leave it to Criss Cross Jazz, a label that has historically been ...
Misha Tsiganov: The Artistry Of The Standard
by Dan Bilawsky
Standards represent so many things. They can be a fallback for those short on ideas or a springboard for those willing to invest a bit of themselves into the music. They're a representative historical sampling of what jazz has been and done, reminding all of those on the bandstand of who and what came before, but ...
