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149

Article: Interview

Kenny Burrell: Every Note Swings

Read "Kenny Burrell: Every Note Swings" reviewed by Chris M. Slawecki


Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...

156

Article: Interview

Jack DeJohnette: Time and Space

Read "Jack DeJohnette: Time and Space" reviewed by John Kelman


It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...

157

Article: Reassessing

Antonio Carlos Jobim: Wave

Read "Antonio Carlos Jobim: Wave" reviewed by Chris May


Antonio Carlos JobimWaveCTI/A&M1967 Singer, guitarist, pianist and--above all--composer Antonio Carlos Jobim was among the first artists to be signed by producer Creed Taylor when he set up CTI Records in 1967. The Brazilian, who helped launch bossa nova internationally when his tune “Desafinado" became a Top 10 ...

152

Article: Album Review

Hank Crawford: Don't You Worry 'Bout A Thing

Read "Don't You Worry 'Bout A Thing" reviewed by Dan Bilawsky


Saxophonist Hank Crawford will forever be linked to his one-time employer, the great Ray Charles, in the minds of R&B lovers, but soul-fusion fans are likely to remember him for a string of albums he recorded on the Kudu label in the 1970s. Crawford and tenor saxophonist Stanley Turrentine proved to be the two pillars of ...

166

Article: Album Review

Esther Phillips: Performance

Read "Performance" reviewed by Dan Bilawsky


The decades-long battle with drug addiction, which ultimately led to her untimely demise, contributed to vocalist Esther Phillips' status as a tragic second-tier figure in the larger annals of popular music history, but her music itself was often a triumph of soul-stirring ecstasy. By the time Phillips arrived at CTI's sister label, Kudu Records, her early ...

188

Article: Multiple Reviews

Lonnie Smith and Johnny Hammond: Organ Explorers Of The Kudu Kind

Read "Lonnie Smith and Johnny Hammond: Organ Explorers Of The Kudu Kind" reviewed by Dan Bilawsky


When the 40th Anniversary celebration of Creed Taylor's CTI Records began, the focus fell on the label's flagship artists and classic albums, but the final wave of releases shines a light on some neglected works that are only now seeing their first U.S. release on CD. The four CDs that bring this celebration to an end--which ...

312

Article: Multiple Reviews

CTI Celebrates Kudu Legacy: Lonnie Smith, Johnny Hammond, Hank Crawford, Esther Phillips

Read "CTI Celebrates Kudu Legacy:  Lonnie Smith, Johnny Hammond, Hank Crawford, Esther Phillips" reviewed by Chris May


CTI Masterworks' 40th anniversary reissue program has, until now, focused on producer Creed Taylor's primary label. Two multi-disc sets and 24 single discs have made available on CD cherished CTI LPs by artists such as trumpeters Chet Baker and Freddie Hubbard, saxophonists Paul Desmond and Stanley Turrentine, guitarists George Benson and Kenny Burrell, vibraphonist Milt Jackson ...

103

News: Recording

Wes Montgomery "Movin': The Complete Verve Recordings" On Hip-O Select / Verve

A lavish box set celebrating the late Wes Montgomery, Movin': The Complete Verve Recordings, includes all eight of the legendary guitarist's Verve albums in one sleek, 5-CD package. Included are Movin' Wes, Bumpin', Smokin' At The Half Note, Goin' Out Of My Head, Tequila, California Dreaming, and the Jimmy Smith collaborations Wes & Jimmy: The Dynamic ...

297

Article: Reassessing

Chet Baker: She Was Too Good To Me

Read "Chet Baker: She Was Too Good To Me" reviewed by C. Michael Bailey


Chet BakerShe Was Too Good To MeCTI Records1974 The modern image of trumpeter/vocalist Chet Baker is a hopelessly fractious one. Baker is, at once, a brilliant musical autodidact with a superb ear while, at the same time, a musician with a nonexistent grounding in musical theory. Like ...

206

Article: Album Review

Randy Weston: Blue Moses

Read "Blue Moses" reviewed by Eugene Holley, Jr.


Brooklyn-born, six-foot-seven octogenarian pianist/composer Randy Weston has literally been a larger-than-life jazz force for six decades: his percussive pianism was forged from a distinguished keyboard continuum, ranging from Duke Ellington and Thelonious Monk to John Lewis; his “Little Niles" and “Hi-Fly" are well-worn jazz standards; and the pianist may well be the greatest exponent of the ...


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