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Elvin Jones: Revival: Live At Pookie’s Pub
by Chris May
A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...
Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!
by Chris May
For jazz lovers in general, and Impulse! devotees in particular, the future just got brighter, more orange and more black. Jamie Krents, a longtime Impulse! aficionado, has been appointed the label's president. In his previous role as executive vice president, Krents played a determining role in recent signings such as The Comet Is Coming (pictured), The ...
Sun Ra Arkestra directed by Marshall Allen: Living Sky
by Chris May
When Sun Ra aficionado and Omni Sound Records founder Ahmet Ulug reached out to Sun Ra Arkestra leader Marshall Allen to commission a new album from the band, he gave Allen a tight brief. Ulug said that he wanted something: “Spiritual and hypnotic... down tempo, melodic and grooving... Music that is accessible and healing."
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Qasim Naqvi / Wadada Leo Smith / Andrew Cyrille: Two Centuries
by Chris May
Strangely, given their similar ages and trajectories, trumpeter Wadada Leo Smith and percussionist Andrew Cyrille have worked together infrequently. But when they have, the results have been spectacular. In 2018, Smith and Cyrille collaborated with guitarist Bill Frisell on the well received Lebroda for ECM. Lebroda was produced by Sun Chung, who has since ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Revisiting a classic conversation with Creed Taylor from 2015
by Leo Sidran
Creed Taylor was an inspiration to generations of music lovers. He was behind some of the greatest records ever made. He passed away earlier this week at the age of 93. For forty years, Creed Taylor was one of a small handful of jazz record producers and label managers who shaped and defined the ...
Creed Taylor (1929-2022)
Creed Taylor, a highly influential and maverick jazz record producer and entrepreneur who recorded virtually every major jazz artist while in charge of the music at six major record labels over the course of his career, died August 22 in Winkelhaid, Germany, following a stroke suffered weeks earlier. He was 93. His son, John, announced Creed's ...
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Creed Taylor, Incorporated: The AAJ Interview, Part 1-3
by Chris M. Slawecki
Part 1 | Part 2 | Part 3 Introduction Without the contributions of producer and entrepreneur Creed Taylor, the past, present and future of jazz would be differently written. Five decades ago, Creed Taylor produced some of Bethlehem Records' best albums, including sets by Charles Mingus, Kai Winding with J.J. Johnson, and ...
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