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107

Article: Album Review

Shane Endsley and the Music Band: Then The Other

Read "Then The Other" reviewed by Daniel Lehner


Naming your working ensemble The Music Band might seem like a very tongue in cheek gesture at first. However, Shane Endsley's second release as a leader (and the first record to come out on Kneebody's Low Electrical Records) shows that the versatile and quietly charismatic trumpeter has a sincere interest in playing music, both jazz and ...

210

Article: Album Review

Gerald Cleaver: Be It As I See It

Read "Be It As I See It" reviewed by John Sharpe


On his fourth disc as leader, and the first with his Uncle June ensemble, Detroit-native drummer Gerald Cleaver shoots for the stars. Though termed a sound collage based on the Great Migration, Be It As I See Itis not programmatic. Cleaver's approach is personal, celebrating the intelligence, strength and humor of the folks he grew up ...

283

Article: Album Review

Taylor Ho Bynum / John Hebert / Gerald Cleaver: Book Of Three

Read "Book Of Three" reviewed by John Sharpe


While trumpet plus rhythm trios are not a dime a dozen, they are becoming increasingly common currency. Following after Stephen Haynes' Parrhesia (Engine, 2011) and Kirk Knuffke's Chew Your Food (No Business Records, 2010), arrives an entry by the adventurous threesome of cornetist Taylor Ho Bynum, bassist John Hébert and drummer Gerald Cleaver. Though the title ...

208

Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by Dan Bilawsky


19th-century German novelist Berthold Auerbach is long forgotten by the masses in modern day society, but his best-known quote about music, “Music washes away from the soul the dust of everyday life," still lives on but pays no mind to the fact that some of the finest music can be reflective of everyday life.

256

Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by Troy Collins


Saxophonist, composer and producer David Binney, a progressive artist with one foot in the mainstream and the other in the avant-garde, has gracefully skirted the tenuous divide between traditions for over two decades. Regularly alternating between semi-casual blowing dates and far more ambitious projects, Binney follows up the relatively straight-ahead Aliso (Criss Cross, 2010) and lavish ...

277

Article: Album Review

Gerald Cleaver / Uncle June: Be It As I See It

Read "Be It As I See It" reviewed by Nic Jones


Drummer Gerald Cleaver has a CV which takes in names like Mario Pavone, Joe Morris, Charles Gayle and Roscoe Mitchell. Of these names it's the last which inspires not only Cleavers's music, but also his appetite for working in new musical forms, and striving for new forms of musical expression. It's hardly surprising, then, that Be ...

331

Article: Album Review

Gerald Cleaver / Uncle June: Be It As I See It

Read "Be It As I See It" reviewed by Mark F. Turner


Be It As I See It, Gerald Cleaver's fourth release as a leader, is an artistic vision of the Great Migration of African American families, in particular his family's movement from the rural South to the urban landscapes in the North, arriving at his home in Detroit, Michigan. The New York-based drummer/composer is a major player ...

387

Article: Live Review

Tomasz Stanko Quintet: New York City, January 14, 2011

Read "Tomasz Stanko Quintet: New York City, January 14, 2011" reviewed by Warren Allen


Tomasz Stanko Quintet with Chris PotterJazz StandardNew York, NYJanuary 14, 2011 Polish trumpet legend Tomasz Stanko has long had a close relationship with New York City. One of the first great jazz musicians to come out of Eastern Europe in the late 1970s, Stanko today splits his time between Warsaw ...

241

Article: Album Review

Roscoe Mitchell and The Note Factory: Far Side

Read "Far Side" reviewed by Charles Walker


In his recent book about the AACM, A Power Stronger Than Itself (University of Chicago, 2007), trombonist/composer/critic George Lewis makes a serious, thoroughly researched argument for its members creating their own lineage of American “experimental music," influenced as much by pan-African musics or juke joint jam sessions as by European high art music, and yet beholden ...

387

Article: Album Review

David Binney: Graylen Epicenter

Read "Graylen Epicenter" reviewed by John Kelman


Even with artists whose eyes are always on a dangling carrot that keeps them moving relentless forward, there are albums where quantum leaps are made. Since 2005, alto saxophonist/composer David Binney has been alternating between small ensemble, inherently quick-and-dirty sessions for the Dutch Criss Cross label like Aliso (2010) and more ambitious projects on his own ...


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