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3

Article: Multiple Reviews

Three types of albums from ezz-thetics

Read "Three types of albums from ezz-thetics" reviewed by John Eyles


In 1975 Werner X. Uehlinger founded the Swiss-based HatHut label which mainly released jazz by such illustrious names as Anthony Braxton, Steve Lacy, Joe McPhee, Max Roach and Cecil Taylor. The labels Hat MUSICS and Hat ART followed in 1981. !997 brought hatOLOGY and hat(now)ART, the latter issuing modern compositions by the likes of John Cage ...

8

Article: Live Review

Wynton Marsalis’ The Shanghai Suite At Hong Kong Academy For Performing Arts

Read "Wynton Marsalis’ The Shanghai Suite At Hong Kong Academy For Performing Arts" reviewed by Rob Garratt


Lincoln Centre Orchestra with Wynton Marsalis Lyric Theatre, The Hong Kong Academy for Performing Arts “An Evening of Swing" & “Wynton Marsalis' Birthday Celebration" Hong Kong October 17-18, 2024 How does Wynton Marsalis spend his birthday? On the road, of course. The venerable champion of all things jazzy and ...

24

Article: Album Review

Isrea Butler: Congo Lament

Read "Congo Lament" reviewed by Jack Bowers


After decades gigging as a sideman with some of the USA's most renowned big bands, trombonist Isrea Butler has finally recorded his debut album, Congo Lament, inviting tenor saxophonist and celebrated Count Basie Orchestra soloist Doug Lawrence to share the front line in his quintet. All but one of the album's seven numbers ...

2

Article: Radio & Podcasts

Swing Bands

Read "Swing Bands" reviewed by Monk Rowe


1

Article: Radio & Podcasts

Warren Wolf, Alexis Cole, Sonny Rollins and Leigh Pilzer

Read "Warren Wolf, Alexis Cole, Sonny Rollins and Leigh Pilzer" reviewed by Joe Dimino


From the mind of veteran musician Leigh Pilzer, we get right into the 869th Episode of Neon Jazz. With her Seven Pointed Star, we hear the title track off her 2024 album called Beatin' the Odds. From there, we journey around a stellar line up of veterans with new albums in 2024 with Julieta Eugenio, Natalie ...

8

Article: Liner Notes

Larry Goldings and Melinda Sullivan choose to groove on Big Foot

Read "Larry Goldings and Melinda Sullivan choose to groove on Big Foot" reviewed by Leo Sidran


Sometimes what seems at first to be a departure can turn out to be a new arrival. When Larry Goldings and Melinda Sullivan met shortly before the COVID pandemic, they had no way of knowing just how impactful it would become for both of them. By 2021, they had begun meeting in Goldings' backyard to play ...

2

Article: Radio & Podcasts

Mose Allison, Lisa Rich, Harry Skoler & Jihee Heo

Read "Mose Allison, Lisa Rich, Harry Skoler & Jihee Heo" reviewed by Joe Dimino


We kick off the 864th Episode of Neon Jazz with new music from a Kansas City treasure, E.E Pointer with the song “Uprights" off his 2024 album Worm. From there, we go old school Kansas City with the great Andy Kirk. The rest of the show focuses on a host of veteran musicians with new work ...

13

Article: Profile

How Ahmad Jamal Got His Groove Back

Read "How Ahmad Jamal Got His Groove Back" reviewed by Chuck Lenatti


Part 1 | Part 2 | Part 3 | Part 4 Though he was well-versed in the musical vernacular of blues, big bands, bebop and hard bop, piano trios and singers, as well as European classical music, pianist Ahmad Jamal seemed out of step as jazz fused with rock and R&B in the 1970s. ...

5

Article: Album Review

Sweet Megg: Bluer Than Blue

Read "Bluer Than Blue" reviewed by Nicholas F. Mondello


One of the more niche genres in the history of jazz is western swing. Primarily dance music and hugely popular in the Southwest, it originated as a jambalaya blending hot jazz, country, blues, pop and traditional fiddle playing, performed by combos such as the Light Crust Doughboys and Bob Wills and his Texas Playboys. It incorporated ...

2

Article: Drum Addiction

Mere Noisemakers

Read "Mere Noisemakers" reviewed by Troy Hoffman


Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...


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