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News: Video / DVD

Count Basie: Europe, 1972

Count Basie: Europe, 1972

In the spring of 1972, the Count Basie Orchestra was touring in Europe. Two concerts were filmed, possibly for TV, and are up as one at YouTube. The first took place in Denmark. As best I can tell, the band featured Paul Cohen, Sonny Cohn, George Minger and Waymon Reed (tp); Al Grey, Mel Wanzo, Bill ...

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Article: Album Review

Danish Radio Big Band: Jazzin' Around Christmas

Read "Jazzin' Around Christmas" reviewed by Chris Mosey


Despite the fact that Louis Armstrong, Ella Fitzgerald and Dave Brubeck all successfully recorded Yuletide songs, jazz still enjoys a problematic relationship with the so-called festive season. The trouble no doubt is that Christmas is so quintessentially square or unhip. What self-respecting hipster would dream of walking in a winter wonderland or taking ...

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News: Recording

Count Basie: High Voltage

Count Basie: High Voltage

Over the course of five years, Chico O'Farrill arranged part or all of 11 Count Basie albums—from Basie Meets Bond in 1965 to High Voltage in 1970. Born in Havana, O'Farrill attended a military academy from 1936 to 1940 in Georgia where he began playing trumpet. He returned to Cuba after graduation and concentrated on arranging. ...

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Article: My Blue Note Obsession

Leo Parker: Rollin' With Leo – 1961

Read "Leo Parker: Rollin' With Leo – 1961" reviewed by Marc Davis


What if I told you there's a saxman who was there at the birth of bebop--literally, he played on the very first bebop recording--and you've never heard of him? And what if I told you his life story is the very archetype of the tragic, drug-addicted jazz musician? Would you still want to hear ...

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Article: Album Review

Divergence Jazz Orchestra: Fake It Until You Make It

Read "Fake It Until You Make It" reviewed by Jack Bowers


Fake It Until You Make It is the second recording by Australia's young and ebullient Divergence Jazz Orchestra, ably co-supervised by composer / arranger Jenna Cave and trombonist Paul Weber (our apology to Weber for not having named him as such in a review of the orchestra's debut album, The Opening Statement). The DJO was formed ...

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Article: Album Review

Eli Yamin: Message From Saturn

Read "Message From Saturn" reviewed by James Nadal


The Jazz Drama Program was founded in 2003, in New York City, by pianist and composer Eli Yamin, and educator Clifford Carlson, to stimulate youth by offering diverse and imaginative jazz, theater, and dance programs with active participation of those enrolled. Message From Saturn takes its title from a famous Sun Ra comment: “I just got ...

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Article: My Blue Note Obsession

Newport Jazz Festival 1959

Read "Newport Jazz Festival 1959" reviewed by Marc Davis


The collector asks: When is it OK to say, “I have enough, thanks. I don't need the live version, too." Consider the dilemma of Wolfgang's Vault, a musical treasure trove of old jazz and rock performances. If you've never been there, go now. The site is stunning. It is an enormous collection of long-lost ...

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Article: Album Review

Dave Liebman Group: Expansions Live

Read "Expansions  Live" reviewed by Budd Kopman


For those that know soprano saxophonist David Liebman's latest group Expansions from their first two studio albums, Samsara and The Puzzle, the double CD Expansions Live will be the lodestone for this quintet (Liebman, reedman Matt Vashlishan, keyboardist Bobby Avey, bassist Tony Marino and drummer Alex Ritz). Playing a few of the tunes from ...

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Article: Profile

Paul Winter Sextet: Count Me In

Read "Paul Winter Sextet: Count Me In" reviewed by Duncan Heining


The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...

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Article: Album Review

Duke Ellington & His Orchestra: Rotterdam 1969

Read "Rotterdam 1969" reviewed by Jack Bowers


Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come ...


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