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Fraser MacPherson: From The Pen Of...
by Jack Bowers
The late tenor saxophonist Fraser MacPherson was well-known in western Canada and elsewhere for his brilliance—but as player, not a writer. In fact, according to MacPherson's son Guy, who wrote the excellent liner notes to From the Pen of..., his father wrote barely a dozen or so original compositions, almost all of which are included on ...
Fraser MacPherson: From The Pen Of...
by Pierre Giroux
Tenor saxophonist Fraser MacPherson was an original. Although he was raised in Victoria, British Columbia, he moved to Vancouver early in his career where he remained throughout his working life. He began to build his reputation as a Lester Young-influenced player, and in the mid '70s recorded his first trio album for West End Records with ...
Terri Lyne Carrington's Latest Project Sets New Standards For Women Composers
by Mary Foster Conklin
This broadcast presents new releases from Sweet Megg & Ricky Alexander, Celia Berk, Connie Han, trio Daniel Carter, Kelly Green & Luca Soul, a live 2017 concert recording featuring Wayne Shorter, Terri Lyne Carrington, Leo Genovese, Esperanza Spalding, plus Terri Lyne Carrington's groundbreaking New Standards Vol. 1 project highlighting women composers, with birthday shoutouts to Doris ...
Brian Charette: Jackpot
by Pierre Giroux
In the tradition of some great Hammond organ players of the past, such as Jack McDuff, Melvin Rhyne, Don Patterson, Larry Young and Jimmy Smith, one leading practitioner on this instrument, Brian Charette, wanted to write some swinging and soulful bebop tunes which would honor the memory of these past greats. The musicians Charette chose to ...
Adam Shulman: Just The Contrafacts
by Pierre Giroux
For those who may be scratching their heads about the word contrafact, in the jazz medium it designates a musical composition in which a new melody is overlaid on a familiar harmonic structure. This form really became prominent in the bebop era, where the artists (who were generally short of financial resources) could create new compositions ...
Julius Rodriguez: Let Sound Tell All
by Chris May
At 23 years, New York-based keyboards player and drummer Julius Rodriguez is close to being a founder member of Gen Z and so was an adolescent when the iPad was giving way to streaming and a new, randomised perspective on jazz and music in general was being shaped. The Juillard School dropout--Rodriguez quit in 2018 to ...
Cory Weeds Quartet: Just Coolin'
by Jack Bowers
Although Cory Weeds spends much of his time promoting and recording other jazz artists, he does manage to place those tasks on the back burner every once in a while to blow his own horn, so to speak—which he does about as well as anyone else on today's scene. While the Canadian-based saxophonist is especially engaging ...
Steve Kaldestad: Live at Frankie's Jazz Club
by Edward Blanco
A Port Moody, British Columbia-based tenor saxophonist and educator at Capilano University, Steve Kaldestad is one of the most in-demand musicians in the Canadian jazz scene and Live at Frankie's Jazz Club is his fourth album on the Cellar Live label. Like most musicians affected by the pandemic, working during these trying times has been limited ...
Pepper Adams: Live at Room at the Top
by Edward Blanco
The late, great baritone saxophonist Park Frederick “Pepper" Adams III may be gone but he is certainly not forgotten, as Live at Room at the Top reveals in a spellbinding and blistering engagement documented but not released until now. Recorded at the University of Alberta Student Union at the Top, in September 1972, Adams and the ...
Pepper Adams: Live at Room at the Top
by Mike Jurkovic
Recorded live in Alberta, Canada, in late September, 1972, Live at Room at the Top hits a top spot. Brought to light by intrepid saxophonist Cory Weeds and his archival Reel to Reel label (part of his Cellar Music Group) Pepper powers his way to the front of the bandstand poised, muscular and insistent with a ...
