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Johnathan Blake: The Eleventh Hour
by Troy Collins
Some debut recordings encapsulate all of an aspiring artist's diverse interests; others are less ambitious, and merely document a particular ensemble or performance. The Eleventh Hour, an expansive tour de force by rising drummer Johnathan Blake, is a prime example of the former. Blake's successful merger of styles should come as no surprise; in addition to ...
Rahsaan Barber: Everyday Magic
by Dan Bilawsky
An album title like Everyday Magic implies that inspired artistry can be as consistent and routine as the rising and setting of the sun and, while that's rarely the case, that philosophy basically rings true on this album. Saxophonist Rahsaan Barber put together a program of nine originals that detail his diversified stylistic portfolio and skills ...
Harris Eisenstadt: Canada Day II
by John Sharpe
Are life events audible in music? They would certainly seem to be in the case of Canadian drummer/composer Harris Eisenstadt. Half the tracks on Canada Day II were composed around the time of his son's birth. One track is dedicated to his youngster, and the genesis of two others was related to public schools, so Eisenstadt ...
Dave King Trucking Company: Good Old Light
by Troy Collins
Branching out from his duties in The Bad Plus and Happy Apple, drummer Dave King formed the Dave King Trucking Company to explore a highly personalized take on Americana that he describes as “if the great Nashville bands of the '60s and '70s could improvise and were Coltrane fanatics." Building on this idea, King and company ...
Theo Saunders: Intergeneration
by Chuck Koton
Born into the cultural vortex that is New York City's Upper West Side and raised by Broadway theater-performing parents, Theo Saunders was destined for the creative life. By the time he graduated from New York's prestigious High School for the Performing Arts, Saunders knew his future would be made seated in front of a piano playing ...
Boom Box: Jazz
by Henry Smith
Free jazz can have some fairly antisocial connotations. Too often, the term raises an undeserved fear in the uninitiated, as freedom can be scary. That hardly necessitates that it lack beauty, lyricism or intimacy, however; it simply means that those traits are arrived at by organic means rather than controlled ones. Few artists ...
Walt Weiskopf: Walt Weiskopf: Quartet Live
by Doron Orenstein
Besides being the tenor man onstage with Steely Dan, Walt Weiskopf is first and foremost a prolific solo artist. With over 15 critically acclaimed recordings as a leader, Walt is not one to rest on laurels collected over the course of years, playing alongside legends such as Buddy Rich, Frank Sinatra, Toshiko Akiyoshi, and The Vanguard ...
Darius Jones / Matthew Shipp: Cosmic Lieder
by Troy Collins
Cosmic Lieder documents the first recorded collaboration between rising alto saxophone star Darius Jones and venerable pianist Matthew Shipp. Veering between dark lyricism and roiling catharsis, the date offers an illuminating window into the creative discourse between two different generations of the avant-garde. Released concurrently with the expansive live double album, The Art of ...
Herb Alpert: On The Record
by Telly Davidson
It was no less than Miles Davis who once opined, “You don't have to hear but three notes before you know it's Herb Alpert." True enough, while Alpert's name isn't often mentioned in the same sentence as the other icons of West Coast jazz (many of whom appeared on records produced by his and Jerry Moss' ...
Jean-Luc Ponty: Open Strings
by John Kelman
Artists are often defined--and pigeon-holed--by the music that's had the best distribution, not necessarily their best music. Not that any of the fusion discs that Jean-Luc Ponty recorded in the mid-'70s are bad; far from it. But the music the Frenchman released, before he moved to the United States, reveals a different formative period for the ...
