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Dave Rempis: Lattice
by Mark Corroto
I recall an interview with a lionized baby boomer saxophonist, who told the story of listening to side one, and only side one, of John Coltrane's A Love Supreme (Impulse!, 1965). He was reluctant to turn the LP over (this was in the pre-digital era), thinking side two could never match the majesty of “Acknowledgement" and ...
Charles Lloyd: Un viaggio che parte da lontano
by Roberto Ottaviano
L'incontro con Charles Lloyd è stato per me il coronamento di un desiderio coltivato a lungo. Collezionare i suoi dischi, osservare la sua figura attraverso i reportage fotografici, leggerne le storie e cercare di ricostruire attraverso una serie di particolari legati alla sua musica, ai suoi gruppi, la filosofia di quest'uomo, mi ha aiutato a vivere ...
Eric Ineke: Let There Be Life, Love and Laughter
by Victor L. Schermer
Eric Ineke is a long time drummer, residing in the Netherlands, who is one of a coterie of sidemen favored by American expatriate jazz musicians for their European gigs. This fine compilation of his work with nine of the great tenor saxophonists gives the listener a golden opportunity to listen to some of their best workouts ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Randy Weston: Music of The Earth
by R.J. DeLuke
Pianist Randy Weston has long been known to be a student of his African heritage and proud of it. Born in Brooklyn, he has lived in Africa, been involved with musicians there--he has been involved with the entirety of its culture. An expert? “I've lived there for years, man, and I know nothing," ...
Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense
by Victor L. Schermer
Part 1 | | Part 5 | Part 6[This is the first of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has expanded in many directions. The business, educational, geographical, ...
Ike Quebec: Blue & Sentimental - 1962
by Marc Davis
Everyone loves a good comeback--especially if the second act is better than the first. Think of Tina Turner, Marlon Brando and George Foreman. Or tenor saxman Ike Quebec. Quebec isn't exactly a household name, but his seven Blue Note records are uniformly terrific, and Blue & Sentimental is among the best ever ...
Chad Lefkowitz-Brown: Onward
by Dan McClenaghan
Hot jazz saxophonists sharing the stage and/or recording booth with pop artists: Wayne Shorter collaborating with Joni Mitchell; Donny McCaslin breathing fire with David Bowie; and now, Chad Lefkowitz-Brown touring the world with Taylor Swift. Onward, Lefkowitz-Brown's sophomore CD release as a leader, touches on pop music with a robust reading of Stevie Wonder's “Isn't She ...
Walter Smith III: Jazz Explorer
by R.J. DeLuke
Walter Smith stands straight when he raises his tenor sax to his mouth to embark on a solo, or play enthralling, serpentine, contrapuntal lines in unison with band mates like Ambrose Akinmusire. [Check out “Confessions To My Unborn Daughter" from Akinmusire's When the Heart Emerges Glistening.] It's a muscular sound that emerged from his horn. Authoritative. ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
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