Results for "Clifford Jordan"
Clifford Jordan was born in Chicago in 1931. A self-taught musician, his love of jazz had him performing in his home town until the late 1950's, when he moved to New York. His first album was appropriately titled "Blowing in from Chicago," and Horace Silver and Art Blakey. In the 60's, his range broadened, as he played with Charles Mingus, Max Roach, Kenny Dorham, Lloyd Price, and James Brown. He toured Europe as a soloist and conducted his own music for radio and studio orchestras in 1966. A year later, he was toured West Africa and the Middle East for the U.S. State Department with Randy Weston
Label: Pure Pleasure
Track listing: Side One: Dick’s Holler; Silver City Bound; Take This Hammer; Black Betty; The Highest Mountain. Side Two: Goodnight Irene; De Gray Goose; Black Girl; Jolly O The Ransom; Yellow Girl.
Tenor saxophonist Clifford Jordan is probably best known for the eight live and studio recordings he made in 1964 with the sextet led by bassist Charles Mingus. But there was much more to Jordan. A prolific recording artist, Jordan had a big, round sound from the start in March 1957, when his Blowing in From Chicago ...
by Chris May
These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...
by AAJ Staff
Meet Markos ChaidemenosMarkos Chaidemenos is a jazz musician who discovered his love for piano at the age of 16 (2005) and his passion for jazz at the age of 22. Although Markos earned his first bachelor at Informatics & Telecommunications in National and Kapodistrian University of Athens, he never worked in the field. After he mastered ...
by Jim Worsley
Most notably a jazz pianist, it comes as more than a surprise that Bill Cunliffe was not in the same orbit as jazz until he was in college. With the sheer volume of top shelf jazz he has written and recorded since, he would seem to have made up for any lost time. That time, those ...
by Stefano Merighi
"In questo paese--sentenziò Charles Mingus--percepisco ancora intatto il puzzo delle camere a gas e dei campi di concentramento. Ma non fatevi troppi problemi: gli Stati Uniti d'America sono anch'essi un grande campo di concentramento." Il paese era la Germania Ovest, la città era Brema, l'anno il 1964. La dichiarazione è riportata da ...
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
by Barbara Ina Frenz
New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...
Label: Sunnyside Records
Hope So Eric; Fables of Faubus.
Piano Solo; Sophisticated Lady; Parkeriana; Meditations on Integration
Sue's Changes; For Harry Carney.
Free Cell Block F, 'Tis Nazi Usa; Black Bat and Poles; Fables of Faubus; Duke Ellington's Sound of Love; Cherokee; Remember Rockefeller at Attica; Devis Blues