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Jonathan Gee: Dragonfly
by Mark Corroto
50 years ago, modern jazz piano trios would barely be recognizable to the majority of their counterparts--except perhaps Bill Evans' trio. Today, cutting-edge jazz trios require interaction between players and expect both drummer and bassist to be more than just disciples. Trio leaders such as Jason Moran, John Escreet, Matthew Shipp all write and perform their ...
The Art Of The Song
by Bruce Lindsay
Singing is possibly the most universal of the arts, certainly of the musical arts. The human voice is the most portable of instruments, always there, always available. It's also the most expressive of instruments: almost every instrument invented in history has at some time or other been used to mimic the voice; none have truly succeeded.
Behind The Lens With Brian O'Connor
by Brian O'Connor
Meet Brian O'Connor: Since my early twenties I have been interested in both photography and jazz. Photography started with the purchase of a secondhand (used, preowned) 35mm Ilford Sportsman camera at £6 ($9) (one week's wages then). Three shutter speeds, no metering, guesswork focusing. The next purchase was £12 ($18) on a ...
Linn Records offers Studio Master collections in ALAC
Back by popular demand Linn's brilliant value, no-hassle, highest quality Digital Music Collections make a welcome return for a limited time only. And, for the first time, our premium Digital Music Collections are all available in Apple Lossless as well as FLAC. Each collection is expertly put together, with all artwork included and embedded, ready for ...
Josh Kyle: Possibilities
by Bruce Lindsay
Possibilities, the debut album from singer Josh Kyle, is modestly titled. Although he's still only 24 years old, the Australian-born/London-based artist is not merely a singer with possibilities; he's already a mature and innovative vocalist and lyricist. Kyle's chosen an out-of-the-ordinary mix of songs, combining classics with originals and adding his own lyrics ...
Take Five with Simon Little
by AAJ Staff
Meet Simon Little: I'm a session bassist living in London. I was born in London and started learning the double bass at school in Dorset with Barry Glynn. I went on to study at The Guildhall School of Music & Drama in London (1999-2003) receiving tuition from Kevin Rundell, Jeff Clyne and ...
Tommaso Starace Quartet: Blood & Champagne
by Bruce Lindsay
Somewhere in a parallel universe far, far away Tommaso Starace is fêted as one of the finest saxophonists in contemporary jazz. It's the only way to explain why Starace remains so underrated on this little world. Blood & Champagne, his fourth album, should bring Planet Earth into line. Starace has a distinctive, hard-edged, tone and a ...
Korean Music Shines At Performing Arts Market in Seoul, October 11-15, 2010
by Ian Patterson
Performing Arts Market in SeoulNational Theater and selected venuesSeoul, South Korea11--15 October, 2010 The number of festivals, theaters and performance groups in South Korea has grown dramatically in the last twenty years and the tremendous developments in the fields of traditional music, jazz, dance and theater is testament to the ...
Am I "Jazz People?"
by Bruce Lindsay
I rarely write anything too serious in a JazzLife UK article and, for the most part, this month's missive will be no different. However, the summer of 2010 started very sadly for UK jazz with the deaths of four popular, talented and influential musicians, and it seems appropriate to write a few words to remember each ...
There's No Such Thing as a British Jazz Scene
by Bruce Lindsay
March and April 2010 were eventful months for JazzLife UK--my photo-documentary project on the jazz scene in Britain. Spring finally emerged from winter's grasp, snowdrops replaced snow drifts and jazz life got busier. Debates about jazz and the media took center-stage, at least for some of us, politicians limbered up for a General Election (I know ...
