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9

Article: Album Review

Billy Strayhorn: Out Of The Shadows

Read "Out Of The Shadows" reviewed by Chris Mosey


An elaborate box set from the Danish Storyville label: seven CDs and one DVD, paying tribute to Duke Ellington's arranger and composer Billy Strayhorn that--alas--doesn't quite live up to the ambitions of it's makers. Ask yourself, was Strayhorn truly the shadowy figure implied by the title? While the bulk of ...

7

Article: Album Review

Duke Ellington And His Orchestra: The Treasury Shows, Volume 18

Read "The Treasury Shows, Volume 18" reviewed by Chris Mosey


As Duke Ellington leads his band into the opening bars of “Take The A Train," a mighty roar goes up from the radio audience. The moment comes four tracks into the first CD of this double Storyville release, after a somewhat shaky start. With it there's a marvellous feeling of being back in ...

11

Article: Album Review

Duke Ellington: Duke Ellington In Grona Lund

Read "Duke Ellington In Grona Lund" reviewed by Chris Mosey


Midsummer is a quite magical time to be in Sweden. The long, dark winter is over and now, as the sun stays resolutely above the horizon, the Lutheran natives shed their somber demeanor, dress in traditional costumes, dance around maypoles decorated with garlands of flowers, drink far too much aquavit and have such a good time ...

5

Article: Album Review

Dorothy Donegan: Strength, Energy, Imagination

Read "Strength, Energy, Imagination" reviewed by Chris Mosey


With this double album, Storyville Records--surely the greatest Danish invention since pastry--tells the story of a legend that never was. Dorothy Donegan, born in Chicago in 1924, trained as a classical pianist before switching to jazz and being hailed as “the female Art Tatum." She made her recording debut when ...

6

Article: Album Review

Christina Dahl: Life's Carousel

Read "Life's Carousel" reviewed by Chris Mosey


Christina Dahl, wife of Carsten Dahl, Denmark's No. 1 jazz pianist, is that rare phenomenon: a woman saxophonist. She is a very forceful player, guilty perhaps, on occasion, of over- compensating for her femininity. Still, the saxophone has always tended to encourage extremes of expression, from the raucous, macho honking of rhythm 'n' ...

4

Article: Album Review

Buddy Tate: The Texas Tenor

Read "The Texas Tenor" reviewed by Chris Mosey


When Herschel Evans died in 1939, Buddy Tate took his place in the Count Basie band. Basie used Tate's muscular, blues- based tenor as a foil to the lighter toned playing of Lester Young. Tate played with Basie for the next nine years fulfilling the same role with Young's successors, Don Byas, Illinois Jacquet, Lucky Thompson ...

5

Article: Album Review

André Fernandes: Wonder Wheel

Read "Wonder Wheel" reviewed by Chris Mosey


André Fernandes, guitarist with the Orquestra Jazz De Matosinhos, one of Portugal's most dynamic big bands, is an accomplished musician and was obviously hoping for great things with this one. He commissioned Maria Bouza Pinto, an artist who is the epitome of “ le cool Lisboa“ to design the cover. And he recruited Ines Sousa from ...

8

Article: Album Review

Cine Qua Non: Cine Qua Non

Read "Cine Qua Non" reviewed by Chris Mosey


Sine qua non is a Latin term meaning something absolutely needed, or essential. This Portuguese quartet is exactly that in terms of bringing melody and accessibility back to the fore in European jazz. However, their name is mis-spelt because accordionist Joao Paulo Esteves da Silva says their music “alludes to the cinema." With ...

5

Article: Album Review

Orquestra Jazz De Matosinhos: Jazz Composers Forum

Read "Jazz Composers Forum" reviewed by Chris Mosey


In 1937 Duke Ellington's recipe for big band jazz was: “It don't mean a thing, if it ain't got that swing." Count Basie later added a caveat defining swing as something “you can really pat your foot by." Times sure have changed. Portugal's Orquestra Jazz de Matosinhos commissioned pieces by eight modern composers ...

3

Article: Multiple Reviews

Swedish indie label Volenza relaunches

Read "Swedish indie label Volenza relaunches" reviewed by Chris Mosey


At the age of 82, Torgil Rosenberg has decided that the time has come to take a back seat in the running his Swedish independent jazz label Volenza. “It's time for a new generation to take over," he says, “My future role in the company will be a purely advisory one."


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