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Didier Verna @-quartet: Roots And Leaves
by Chris Mosey
Parisian guitarist Didier Verna plays very much in the Pat Metheny tradition but with a sunny, melodic touch. His music is well thought out but never overly serious, with humor playing an important part in his compositions and improvisations. Roots And Leaves, the title of this, his second album, was chosen with care. ...
Mathias Algotsson: Home At Work
by Chris Mosey
Mathias Algotsson takes his lead from Jan Johansson, probably the most influential jazz pianist ever in Sweden. Johansson, a brilliant accompanist who played with nearly all the greats from the States who visited Scandinavia in the post-war period, delighted in mixing genres, also playing folk songs and composing for film and television. His ...
Timme Rosenkrantz: Timme's Treasures
by Chris Mosey
Danish nobleman Niels Otte Timme Baron Rosenkrantz could trace his ancestry way back to the Anglicized Rosencrantz in Shakespeare's Hamlet. He became a journalist and was the first European to report on the jazz scene in Harlem, writing for Scandinavian publications and for Downbeat, Metronome and Esquire in the United States and Melody ...
Duke Ellington And His Orchestra: The Treasury Shows, Vol 20
by Chris Mosey
What makes this album stand out among the welter of Treasury Show releases is that most of the tracks feature Oscar Pettiford on bass. Duke Ellington hired many excellent bass players but only two who were great. The first was Jimmy Blanton. In the short time he was with the band--from 1939-1941--he transformed ...
Gabriel Vicéns: Days
by Chris Mosey
A varied mix of influences has gone into the songs on this, Gabriel Vicéns' second album. There are the the loves of the guitarist's young life, the vampires and werewolves of the horror films he enjoys and the everyday trials and tribulations of the working people of his native Puerto Rico. He says: ...
Duke Ellington: At The Cotton Club
by Chris Mosey
These recordings by Duke Ellington from 1937-39 emphasize his unique place in the history of jazz. On the eve of the Swing Era, they open with a solo piano piece. Ellington introduces it as “Swing Session" but it's actually “Soda Fountain Rag," the first piece he ever wrote, in 1913, aged 14, while ...
Carin Lundin: What Now My Love?
by Chris Mosey
Carin Lundin is a class act, one of Sweden's best jazz singers. She hangs in there year on year, ably fending off the challenge of newer arrivals, without ever getting the full recognition she so richly deserves. In 2005 her disk, “Songs We All Recognize" was named one of the year's best albums ...
Thomas Fonnesbaek: Where We Belong
by Chris Mosey
Aficionados increasingly see Danish bassist Thomas Fonnesbaek as a successor to the late, great Nils-Henning Orsted Pedersen. He is heard here as part of a trio featuring Swedish pianist Lars Jansson, the format that established his reputation. The album consists primarily of Fonnesbaek's own compositions and others put together on the spot with ...
Harvey Valdes: Roundabout
by Chris Mosey
New York guitarist Harvey Valdes started out at the age of 12 listening to bands like Napalm Death, Sacred Reich and Sick Of It All. “It was the music that spoke to me: loud, heavy and with a ton of attitude," he told the zine Guitar Moderne. “I would bring in a cassette ...
Jesper Lundgaard, featuring Enrico Pieranunzi & Alex Riel: 60 Out Of Shape
by Chris Mosey
Back in the glory days the Copenhagen jazz club Montmartre was known as “The Village Vanguard of Europe." In the 1960s some of the biggest names in the music played there: Ben Webster, Dexter Gordon, Stan Getz... the list goes on. And on: Roland Kirk, Sonny Rollins, Cannonball Adderley, Bill Evans, Charles Mingus, ...
