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6

Article: Extended Analysis

Chris Kelsey & What I Say: The Electric Miles Project

Read "Chris Kelsey & What I Say: The Electric Miles Project" reviewed by Jeff Dayton-Johnson

by Jeff Dayton-Johnson

Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...

2

Article: Album Review

Chris Kelsey & What I Say: The Electric Miles Project

Read "The Electric Miles Project" reviewed by Mehdi El Mouden

by Mehdi El Mouden

Chris Kelsey and What I Say say it all. The Electric Miles Project is definitely well thought-out, projected, masterfully arranged, and meticulously performed. Contrary to Miles Davis' school of thought, improvisation on this project seems not to have been part of the agenda. Kelsey clearly knows exactly how to pay tribute to the late legend and, ...

7

Article: Album Review

Chris Kelsey & What I Say: The Electric Miles Project

Read "The Electric Miles Project" reviewed by C. Michael Bailey

by C. Michael Bailey

It takes no shortage of fortitude for contemporary artists to take on the electric Miles Davis. Banking off of his seminal Bitches' Brew (Columbia, 1970), the trumpeter headed for looser, louder and funkier fare, culminating in the twin two-disc releases, Agartha (Columbia, 1975) and Pangea (Columbia, 1976), two shows performed in the afternoon and evening of ...


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