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Musician

Chris Kelsey

Called “a provocateur in the best sense of the term: a player (and writer) who thrives on pushing buttons,” by Derek Taylor of All About Jazz, and “at the forefront of the fiery reedists today,” by Gregory Applegate Edwards at Gapplegate Music Review, Chris Kelsey’s music embraces the qualities of individualism and innovation that have always defined the best jazz. His work defies easy description. Kelsey first made his reputation with a series of albums for the C.I.M.P. imprint in the ‘90s and ‘00s, as well as several for his own Saxofonis Music and Tzazz Krytyk labels. From the early ‘90s, he maintained an active presence on the Downtown NYC music scene, performing at many of the city’s most important venues, including frequent appearances at the Knitting Factory

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Article: Bailey's Bundles

Jazz Quanta January: Chris Kelsey and Tomas R. Einarsson

Read "Jazz Quanta January:  Chris Kelsey and Tomas R. Einarsson" reviewed by C. Michael Bailey


There are two jazz traditions represented in Jazz Quant January, the freedom principle of saxophonist Christ Kelsey and cool complexity of Latin jazz by way of Icelander bassist Tomas R. Einarsson. Two traditions transplanted and allowed to flourish. Chris Kelsey Duets | NYC / Woodstock Tzazz Krytyk ...

Album

Free: Kelsey/Porter Duo Plays Ornette, Vol. 1

Label: Self Produced
Released: 2015
Track listing: Music Always; Brings Goodness; Free; Cross Breeding; Giggin'; Check Out Time; Face Of The Bass; Airborne; Harlem's Manhattan; Forerunner.

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Article: Album Review

Chris Kelsey/Lewis Porter: Free: Kelsey/Porter Duo Plays Ornette, Vol. 1

Read "Free: Kelsey/Porter Duo Plays Ornette, Vol. 1" reviewed by Dan Bilawsky


Intrepid saxophonist and recovering jazz journalist Chris Kelsey went to his longtime friend, renowned author-educator-pianist Dr. Lewis Porter, with the idea of recording some of Ornette Coleman's music. That's how Free came to be, plain and simple. But nothing is really that simple. Kelsey and Porter worked through this material for a year, allowing the music ...

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Article: Multiple Reviews

Dom's Duos: Dom Minasi Meets Blaise Siwula, Chris Kelsey, And Hans Tammen

Read "Dom's Duos: Dom Minasi Meets Blaise Siwula, Chris Kelsey, And Hans Tammen" reviewed by Dan Bilawsky


Improvising musicians all pay lip service to the idea of working without a net, but most end up building safety precautions--no matter how slight or subtle they may be--into their work. Dom Minasi, however, isn't one of those musicians. The indefatigable guitarist has no interest in sonic safeguards or insurance. He's a law unto himself, creating ...

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Article: On and Off the Grid

Practice, Do You? Part 2-3

Read "Practice, Do You? Part 2-3" reviewed by Dom Minasi


Continued from Part 1 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I ...

Album

Chris Kelsey & What I Say: The Electric Miles Project

Label: Self Produced
Released: 2013
Track listing: Agharta Prelude; Mad Love, pt. 1; Directions; Ife; Sivad; Mad Love, pt. 2.

Album

The Electric Miles Project

Label: Self Produced
Released: 2013
Track listing: Agharta Prelude; Mad Love Pt. 1; Directions; Ife; Sivad; Mad Love Pt. 2.

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News: Event

William Parker Launches New Monday Jazz Series At Quinn's, New Music Venue In Beacon, NY On October 7 at 8 Pm

William Parker Launches New Monday Jazz Series At Quinn's, New Music Venue In Beacon, NY On October 7 at 8 Pm

The new Beacon, NY music venue, Quinn's, is proud to announce a new series of jazz sessions taking place every Monday night beginning in October. Hosted and curated by local musician James Keepnews, this series will present the finest and most cutting- edge artists at work in the music today, both regionally and internationally. For these ...

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Article: Extended Analysis

Chris Kelsey & What I Say: The Electric Miles Project

Read "Chris Kelsey & What I Say: The Electric Miles Project" reviewed by Jeff Dayton-Johnson


Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...


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