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Laurenzi-Ernst-Green: Sightline
by Hrayr Attarian
Chicago based trio Laurenzi-Ernst-Green's debut Sightline is an atmospheric album filled with intriguing patterns and exuberant and elegant spontaneity. An intimate mysticism imbues this collaborative effort of seven original compositions with a modal bent. Bassist Katie Ernst's wordless vocals hauntingly echo saxophonist Dustin Laurenzi's big toned tenor on the mesmerizing “Skoops," while her resonant ...
Jeremy Steig: Flute Fever
by Dan McClenaghan
Flute Fever, the 1963 Columbia Records debut by flutist Jeremy Steig, has somehow, until now, avoided release on CD. Thanks to reissue producer Jonathan Horwich, Steig's beautifully remastered and packaged freshman recording is now available. And it's not only Steig's premier as a recording artist, it's also a recording first for pianist Denny Zeitlin, on a ...
Jack Mouse Group: Range of Motion
by Hrayr Attarian
Drummer and educator Jack Mouse has a versatile and prolific career. In addition to playing, among many others, with trumpeter Clark Terry, saxophonist James Moody and pianist Stan Kenton he has been actively involved in education as a faculty member at various institutions and as a writer for percussion magazines. His debut album Range of Motion ...
Michael Pedicin: Compassion Joins Creativity
by R.J. DeLuke
Saxophonist Michael Pedicin, he of the rich tone and fertile imagination, is on a tear lately. His last three albums are remarkable, exhibiting both his catchy improvisational skill and simple beauty. His 2011 album, Ballads... Searching for Peace (Jazz Hut Records) is that beauty on display and one of the best ballad albums to ...
Keefe Jackson’s Likely So: A Round Goal
by Hrayr Attarian
Chicago based multi-instrumentalist and composer Keefe Jackson's intriguingly innovative live album A Round Goal is a modern choral symphony of sorts. Recorded during the Jazzwerkstatt festival in Berne Switzerland on February 20, 2013 Jackson utilizes, in lieu of human voices, woodwinds of various ranges creating brilliantly dramatic music. Western classical influences are apparent, throughout. ...
Rob Mazurek's Exploding Star Electro Acoustic Orchestra: The Space Between
by Hrayr Attarian
Musical adventurer Rob Mazurek's The Space Between is a provocative and heady fusion of sight and sound. The double disc set includes an audio CD and a DVD containing performance and multimedia artist Marianne M. Kim's haunting, abstract video accompaniment to the music. The forty-minute suite is divided conveniently, and perhaps whimsically, into eight ...
1,000 Recordings To Hear Before You Die
by Charlie Ricci
1,000 Recordings To Hear Before You Die Tom Moon 992 Pages ISBN: 076113963X Workman Publishing Company 2008 Tom Moon once played saxophone in Maynard Ferguson's big band. More famously, he is a music critic who worked for the Philadelphia Inquirer, Rolling Stone Magazine, and National Public Radio. His top ...
Take Five with Marquis Hill
by AAJ Staff
Meet Marquis Hill: At age 26, Marquis Hill is already a well-known name on the Chicago jazz scene. After receiving a Bachelor's degree in Music Education/Jazz Studies, and studying privately at Northern Illinois University, he started performing heavily in Chicago. He has performed with artist such as: Dee Alexander, Tito Carrillo, Bobby Broom, Willie Pickens, Ron ...
DePaul University Jazz Ensemble: Salutes Woody Herman
by Nicholas F. Mondello
Anecdotes of all kinds about bandleader Woody Herman-- whose centennial is celebrated this year--circulate among musicians and fans to this day. From them, we deduce that “The Chopper" had a straight-razor tongue, wry humor, and less-than-zero patience for disingenuous fan-fawning over himself or his band's celebrity. Even as road-weary big bands faded from the scene and ...
Not an Obituary for the Artists Quarter
For nearly four decades, over three locations and one significant hiatus, the Artists Quarter has symbolized the true spirit of jazz—a collaborative, forward-thinking, open community. And like most jazz clubs throughout the country, the AQ has struggled to hold faithful audience in the face of rising costs, declining support to the arts, and dwindling audiences. We ...
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