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Results for "Charlie Parker"
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Allison Au: Forest Grove
by Dan McClenaghan
The best artists--writers, painters, musicians--create distinct new worlds. Canada's Allison Au has done just that with her Juno-Award-winning (2016, Jazz Album of the Year) recording, Forest Grove. The music therein is Au's personal vision transformed into a set of sounds with a continuity of purpose. A rarity for a young artist. Au says she ...
Sonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach
by Jakob Baekgaard
Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been ...
Cortex: Avant-Garde Party Music
by Mark Corroto
Do you have Blue Zone envy? You know the places where people live the longest and happiest lives on the planet. They seem to get more physical activity then we do, eat better, love their communities and politicians. Politicians? I know. They even make some of the best modern jazz. Case in point the Norwegian quartet ...
Rudresh Mahanthappa: Agrima
by Jerome Wilson
Two years after the release of his acclaimed Charlie Parker project Bird Calls (ACT), saxophonist Rudresh Mahanthappa returns with his longstanding Indo-Pak Coalition for Agrima, a vinyl and download-only release that is a dazzling hybrid of Indian music and furious jazz-rock. Besides Mahanthappa the group consists of guitarist Rez Abbasi and drummer/tablaist Dan Weiss, ...
Django Bates: The Study of Touch
by Karl Ackermann
Pianist, horn player, composer, and all-around musical disruptor, Django Bates brings back his Belovèd Trio for a third go-round, this time with The Study of Touch, his ECM leader debut. Bates--over his renowned career--has recorded in a full range of scenarios; a solo pianist on Autumn Fires (and Green Shoots) (JMT, 1994) and recently, a musician/arranger/conductor ...
Wouter Turkenburg: Jazz Education in the New Millennium
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 All About Jazz and Wouter Turkenburg would like to dedicate this interview to the memory of saxophonist Michael Brecker (1949-2007). In addition to his prodigious accomplishments as an instrumentalist and band leader, Brecker was an exceptional worldwide ...
Rudresh Mahanthappa: Agrima
by Angelo Leonardi
Lungamente atteso, viene pubblicato in questi giorni Agrima dell'Indo-Pak Coalition di Rudresh Mahanthappa, un album dove tradizione orientale e contemporaneità si fondono in percorsi articolati e avvincenti. A nove anni dall'unico lavoro discografico (Apti Innova, 2008) il trio raccoglie i tratti fondanti di quel progetto aggiungendo nuove soluzioni, in un quadro esaltante per inventiva personale e ...
Idrees Sulieman Quartet feat. Oscar Dennard: The 4 American Jazz Men in Tangier
by Stefano Merighi
La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard. Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...
Jason Kao Hwang
by Paolo Peviani
Il tratto principale della mia musica Le qualità su cui concentro i miei sforzi sono l'umanità e la verità sonora. La qualità che desidero nei musicisti che suonano con me Mi piacciono i musicisti con una fervida immaginazione, che si esprimono attraverso un linguaggio autenticamente e pienamente personale. Mi piacciono i ...
