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Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: After The Fall
by Karl Ackermann
In the year between ECM releases Tokyo '96 (1997) and Whisper Not (1999), Keith Jarrett's iconic Standards Trio returned to live performances following a two-year break. Jarrett's bout with Chronic Fatigue Syndrome left him physically and emotionally drained, but with the condition in check, his expressive passion and physical enthusiasm return in full force with After ...
Savoy Records: From Newark To The World
by Jordan Levy
On June 26, 1942, James Petrillo, President of the American Federation of Musicians, the nations union for working musicians did the unthinkable and announced a recording ban on all major labels. The ban was set in place due to perceived uneven compensation for musicians. The AFM ban on recording occurred at a critical time, as it ...
Federica Michisanti: tra ricerca e introspezione
by Daniele Vogrig
La contrabbassista romana Federica Michisanti si è rapidamente affermata come una delle nuove leve meritevoli di grande attenzione. Grazie ad un equilibrio tra immediatezza ed originalità, tra camerismo ed improvvisazione, i suoi progetti sono pieni di spunti fertili e stimolanti. In questa intervista ci parla del suo lavoro mosso tanto da un'ardimentosa ricerca quanto da un'intima ...
January 2018: Charles McPherson, Duke Ellington, Charlie Parker
by Patrick Burnette
January opens with an interview with alto saxophonist, composer, and philosopher Charles McPherson and closes with Pat hosting a one-man show on Duke Ellington's suites. Episode 132 features a hundred-minute talk with alto saxophonist Charles McPherson, who discusses a formative encounter with Charlie Parker, his time playing in Charles Mingus' band, the lessons he ...
Nduduzo Makhathini: Jazz Is a Shared Memory
by Seton Hawkins
It can be overwhelming to keep up with the artistic growth, creative reach, and constant development that marks the career of Nduduzo Makhathini. In the past four years, he has released eight solo albums, all exploring remarkably different territories and demonstrating a ceaselessly probing mind and inventive creative urge. In addition to that, he has emerged ...
Buenos Aires International Jazz Festival 2017
by Mark Holston
Buenos Aires International Jazz Festival Buenos Aires, Argentina November 15-20, 2017 Mid November in Buenos Aires is a special time of the year. True to the meaning of the city's name, the air is crisp and fresh and blossoming jacaranda trees bathe the greater metropolitan area in a dazzling shower of purple ...
Quentin Bryan Angus: In Stride
by Barry O'Sullivan
Keeping 'in stride' on his journey from Eden Valley, South Australia, guitarist/composer Quentin Angus hasn't batted an eyelid since arriving in the world's Mecca for jazz in 2010. Angus is an Associate Professor of Music for the City University of New York, teaches several courses at the Borough of Manhattan Community College and holds a PhD (Phrasing ...
Never Alone: Reflections on the 2018 Winter Jazzfest
by Tyran Grillo
Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...
The Universe and John Coltrane: The Physics of Cosmic Vibrations
by Victor L. Schermer
The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe Stephon Alexander 272 Pages ISBN: # 13: 978-0465093571; # 10: 0465093574 Basic Books 2016 On the face of it, the premise that jazz and physics are related disciplines seems strange and remote. Because ...
