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The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)
by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...
Trish Clowes: Sounding Colors, Playing With Gravity
by Ian Patterson
If it hadn't been that day, twenty some years ago when the young Trish Clowes first felt the pull of the tenor saxophone, it would surely have been another. Barely in her teens at the time, Shropshire-born saxophonist and award-winning composer Clowes already played piano, clarinet and sang when she went to see her ...
Chris Potter: What Influences the Influencer?
by Leo Sidran
Chris Potter is a supremely influential saxophonist. Downbeat Magazine has called him “one of the most studied (and copied) saxophonists on the planet." In this introspective and philosophical podcast conversation he talks about art, the search for something new, what motivates him today, what he sees as his role, responsibility and contribution to the history of ...
August Birthdays, including the George Shearing Centennial
by Marc Cohn
August jazz birthdays this week on Gifts and Messages. We feature pianist George Shearing for his 100th birthday, along with Louis Armstrong, Charlie Parker (2020 is the Bird centennial. Are you ready?), Count Basie and Lester Young. Among the living we give thanks for Pat Metheny, Wayne Shorter, Cecile McLorin-Salvant and Branford Marsalis. And there are ...
Alvas Showroom: The Art of Listening
by Jim Worsley
Allan Holdsworth was a giant, a genius, a gifted guitarist who had a great gauge for sound. An upper level musician can become less than that playing in a room, club, or hall that is beneath the caliber of their artistry. Holdsworth played the intimate and superbly sound engineered Alvas Showroom in San Pedro, CA many ...
Miguel Zenon: Sonero: The Music of Ismael Rivera
by Mark Corroto
It is not possible to listen to Sonero: The Music of Ismael Rivera by alto saxophonist Miguel Zenón without triggering thoughts of another altoist, Charlie Parker. Like Parker, Zenón has that quicksilver processing of thought and expression, but more relevant is that both artists can render any style of music into the jazz idiom. Where Parker ...
More Miles/Gallon
by Marc Cohn
This week we return with a “Bitches Brew -Day 2" and a “compare and contrast" between two Wayne Shorter tunes (from Super Nova) versus Miles Davis (from Water Babies). But of course, there's more. We moon over Anita O'Day (a centennial warmup) and go to a hotel with Kenny Clarke keeping time on a phone book ...
Jazzkaar 2019
by Martin Longley
Jazzkaar Tallinn, Estonia April 23-28, 2019 Towards the second half of Jazzkaar, there was an invasion of starry Americans, overwhelming the normally quite striking wealth of indigenous Estonian talent. As ever, the fundamental structure of this 10-dayer revolved around its two main stages in the Telliskivi Creative City, Vaba Lava ...
Jazz Musician of the Day: Charlie Parker
All About Jazz is celebrating Charlie Parker's birthday today! The only child of Charles and Addie Parker, Charlie Parker was one of the most important and influential saxophonists and jazz players of the 1940’s. When Parker was still a child, his family moved to Kansas City, Missouri, where jazz, blues and gospel music were flourishing. His ...
Joonas Haavisto e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica L'equilibrio tra composizione e improvvisazione. Metto anche molta attenzione sul suono e la melodia. La qualità che desidero nei musicisti che suonano con me Ascoltare è la cosa più importante. Poi vengono altre abilità, come il prendere dei rischi, il ...
