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Eric Alexander: With Strings
by Jack Bowers
To paraphrase Cole Porter: Bird did it, Chet did it... even many vocalists I bet did it..." And now tenor saxophonist Eric Alexander did it--recorded an album with strings, that is. This represents quite a departure for Alexander who is widely known as one of the more emotive and resourceful improvisers on the scene; but so ...
Charlie Parker: The Savoy 10-inch LP Collection
by Kyle Simpler
Charlie Parker is one of the most important musicians in jazz history and a household name even for people who never listen to jazz. His music is like a textbook for aspiring jazz musicians, and it still sounds modern even after more than a half century since its creation. 2020 marks the centennial of Parker's birth, ...
The John Coltrane Home in Philadelphia: The Fight to Preserve an Historic Landmark
by Victor L. Schermer
John Coltrane (1926-1967) was in the upper echelon of the greatest jazz musicians of all time. He, along with Louis Armstrong, Duke Ellington, Charlie Parker, Dexter Gordon, Miles Davis, and other innovators, changed the face of jazz forever. Beyond such encomiums, Coltrane has become a great African American hero, overcoming his heroin addiction, experiencing a spiritual ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
American Beauty: Musical Treasures on Tompkins Square
by Jakob Baekgaard
Back in 1952, Folkways Records released its groundbreaking Anthology of American Folk Music. It was a collection that gathered some of the best slices of American music, including gospel, blues and old-time music. It has since been followed by countless other compilations, but the ambition and the scope of the collection is still relevant. Tradition should ...
Four Masters and More
by Marc Cohn
After a segment of 21st century music from Andy Fusco, Matt Criscuolo, Wycliffe Gordon and Fred Hersch, we go into celebration mode--saluting Sonny Rollins (with Max Roach) because he IS Sonny Rollins, Charlie Parker and Dave Brubeck (with some gorgeous Paul Desmond on the rarely played 'Jazz Goes To College) on their centennial, and 2020 National ...
Tomas Janzon, Charlie Parker, Art Tatum and More
by Joe Dimino
The focus of this hour is on three musicians that have new music charting well, along with the musicians that inspired them. First, we have guitarist Tomas Janzen followed by music from Charlie Parker. Secondly, we have pianist Jen Allen and music from her mentor Jackie McLean. Finally, we profile Indianapolis-based saxophonist Amanda Gardier followed by ...
February 50th Anniversary Blue Notes & More
by Marc Cohn
This week on Gift & Messages we mark 50th anniversary of Blue Note releases from February 1970 by flautist Jeremy Steig (Wayfaring Stranger with Eddie Gomez on bass), McCoy Tyner (Extensions with Wayne Shorter, Gary Bartz and Alice Coltrane), and Duke Pearson (I Don't Care Who Knows It), as well as BN-18 from Edmond Hall with ...
Camilla George: Warrior Charge
by Chris May
In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: The world is safe because we have Camilla." Others in Cadogan ...
Results for pages tagged "Charlie Parker"...
Charlie Parker
Born:
The only child of Charles and Addie Parker, Charlie Parker was one of the most important and influential saxophonists and jazz players of the 1940’s. When Parker was still a child, his family moved to Kansas City, Missouri, where jazz, blues and gospel music were flourishing. His first contact with music came from school, where he played baritone horn with the school’s band. When he was 15, he showed a great interest in music and a love for the alto saxophone. Soon, Parker was playing with local bands until 1935, when he left school to pursue a music career. From 1935 to 1939, Parker worked in Kansas City with several local jazz and blues bands from which he developed his art

