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The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records
When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Larry Coryell: Larry Coryell's Last Swing With Ireland
by Ian Patterson
In his latter life, Larry Coryell was a frequent visitor to Ireland, where he would invariably hitch up with bassist David Redmond and drummer Kevin Brady, the esteemed rhythm team for the likes of Tommy Halferty, Bill Carrothers, Norma Winstone and Ian Shaw. In May 2016, during Coryell's last trip to Ireland, he entered Dublin's Hellfire ...
Jim Snidero: Live at the Deer Head Inn
by Jack Bowers
Any short list of the finest alto saxophonists playing today must include the name Jim Snidero who has been a force to reckon with on the New York City jazz scene for almost four decades. Snidero earns high marks on his latest album not only for his typically sharp and fluent improvisations but also for his ...
Record Store Day 2021 Jazz Releases
Since its inception in 2007, Record Store Day has become an important event for record collectors around the world. Every year, limited edition runs of albums from a variety of different genres hit the shelves, and jazz is no exception. There are two 2021 Record Store Day drops planned: one on June 12 and the other ...
Tali Rubinstein: Plastic Art
by Scott Krane
Recorder player, Tali Rubinstein, studied early music from the Baroque and Renaissance periods for many years, mostly as a teenager. The Israeli-American virtuoso learned under Bracha Kol, a recorder player and operatic vocalist based in Israel. If asked back then whether she was interested in playing jazz, Rubinstein would have looked at you with some interest ...
CODE Quartet: Genealogy
by Friedrich Kunzmann
Chordless or not, quartets tend to find a way around the necessity of vertical simultaneousness to create significant harmonies. With the Montreal-based Code Quartet it's the former variety of instrumentation, combining a vital rhythm section of drum and bass with two horns, much like Ornette Coleman's groundbreaking quartet or its logical continuation in the group Old ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Ignaz Schick / Oliver Steidle: ILOG2
by Mark Corroto
The combination of Berlin based musicians Ignaz Schick and Oliver Steidle, known as ILOG, expands on the concepts of free improvisation with ILOG2 to include, for the lack of a better term, mania. Their frantic, often feverish, improvisations bring to mind both John Zorn's Naked City and William Burroughs' cut-ups. The opening piece, “There Is No ...
Take Five with Matt Clark
by AAJ Staff
Meet Matt Clark I'm a guitarist and composer from Brighton, England. My career has spanned 35 years, encompassing genres as broad as jazz, blues, alternative, experimental, and electronic music. The year of COVID-19 and lockdown has been both testing and inspiring. Lack of live music and in-person collaboration has meant rethinking my musical output. ...
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