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Fit As A Fiddle: How The Violin Helped Shape Jazz, Part 1
by Peter Rubie
Part 1 | Part 2 That was then... Considering jazz is an art form that mostly makes it up as it goes along, it's ironically appropriate that printed records--i.e., data--from the days of its birth are decidedly sparse. We know, at least, that during the 18th and 19th Centuries in New Orleans white plantation ...
Gaga, Bennett, The Count, Presidents: Harold Jones Drums Across History
by Arthur R George
When Tony Bennett stepped past the twilight of Alzheimer's onto the stage of Radio City Music Hall in New York City in August 2021, drummer Harold Jones was there ready for him, as he had been for Bennett over the past seventeen years, in a friendship going back to 1968. Lady Gaga, the popstar recreated as ...
Cory Weeds With Strings: What Is There To Say?
by Pierre Giroux
Tenor saxophonist Cory Weeds continues to search for new ways to explore and expand his personal musical horizons. In the release What Is There To Say?, Weeds looks to the expression “everything old is new again" and delivers an album backed by a fulsome string section reminiscent of sessions that both Charlie Parker and Bobby Hackett ...
Barry Harris: Iconic Jazz Pianist and Keeper of the Flame
by Victor L. Schermer
In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...
Kenny Garrett: The Value of Ancestors
by R.J. DeLuke
Saxophonist Kenny Garrett has always respected the music of his predecessors. He knows its importance. He knows the value of the tradition, knowledge and innovation passed on to new generations of musicians. He's recorded, for example, dedications to John Coltrane (Pursuance, Warner Bros., 1996), as well as Joe Henderson and Sonny Rollins (Trilogy, Warner ...
Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
Joe La Barbera: Experiencing Bill Evans
by Victor L. Schermer
In his own unassuming way, Bill Evans changed the face of jazz piano trio forever. He made the piano a lyrical, expressive voice for the most subtle and deep emotions, and he transformed the rhythm section from a time-beating, swing-maintaining outfit into an intimate, conversational musical unit. He loved tradition. It was just his grasp of ...
Michael Jackson & Jimmy Smith to Stevie Wonder & Dizzy Gillespie — My Top Ten Jazz/Pop Encounters
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Jim Snidero: Flying in the Face of Adversity
by R.J. DeLuke
Jim Snidero, a master of the alto saxophone, can look back on a strong career and more of the same in the future. But he admits events of 2021 have brought him immeasurable satisfaction. It's because of the recorded music he put out this year on the Salvant label--one a fresh live release and ...
Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity ...
