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31

Article: Interview

Chuck Israels: Tribute to Bill Evans

Read "Chuck Israels: Tribute to Bill Evans" reviewed by Robin Arends


Isn't it nice to meet someone who takes time for a good chat in these hectic times? Especially if this person has a lot to tell, carries the living memory of an important part of jazz history, and is called Chuck Israels?Bassist/arranger/composer Chuck Israels is in expansive form for this interview conducted in a ...

4

Article: Bailey's Bundles

Jazz Quanta April

Read "Jazz Quanta April" reviewed by C. Michael Bailey


April is no more the cruelest month than the moon is made of cheese. For consideration this month we have nine recordings from far and wide: Antonio Adolfo to Little Feat far and wide. Antonio Adolfo Rio, Choro, Jazz AAM Music 2014 Before there was ...

News: Video / DVD

Johnny Hodges and Will Bill

Johnny Hodges and Will Bill

Exceptional jazz musicians win us over with a warm tone, lyrical lines, a feel for the blues, respect for space, sheer speed or stamina—to name just a handful of winning traits. But not all exceptional jazz musicians work well together and only a bunch of couplings have produced dazzling results. Perfect partnerships that come to mind ...

17

Article: Album Review

Zach Brock: Purple Sounds

Read "Purple Sounds" reviewed by John Kelman


Virtuosity isn't defined by notes-per-minute; true virtuosity is instrumental mastery surrendering to the demands of the song. Sometimes that can mean shredding with furious intensity, yes; but the real deal also respects music that demands less, rather than more. Violinist Zach Brock is, indeed, the real deal, and Purple Sounds, his second release for Holland's Criss ...

16

Article: Interview

Billy Hart: Welcoming New, Loving Old, Sounds

Read "Billy Hart: Welcoming New, Loving Old, Sounds" reviewed by R.J. DeLuke


The ubiquitous drummer Billy Hart brings a special energy to the many projects of which he is a part. A band leader, composer and educator, he's been on hundreds of albums. He has taken the stage with countless bands, adding his rhythmic pulse to formations led by a litany of the biggest names in the business. ...

5

Article: Live Review

Brilliant Corners 2014

Read "Brilliant Corners 2014" reviewed by Ian Patterson


Brilliant Corners Various Venues Belfast N. Ireland March 26-29, 2014 It's taken a while, but Belfast has finally joined the ranks of cities that play host to an international jazz festival. The first edition of Brilliant Corners was staged in the rejuvenated Cathedral Quarter of the city in 2013 ...

3

Article: Album Review

Adam Smale: Out of the Blue

Read "Out of the Blue" reviewed by Jakob Baekgaard


Out of the Blue is the U.S. debut album by Canadian-born guitarist Adam Smale, but Smale hasn't come out of nowhere. In 2000, he released the album Fun City in his home country and received plenty of airplay and critical acclaim and in 2009 he moved to New York and since then he has become a ...

22

Article: Extended Analysis

Jaco Pastorius: Modern American Music…Period! The Criteria Sessions

Read "Jaco Pastorius: Modern American Music…Period! The Criteria Sessions" reviewed by John Kelman


1976 was, for electric bassists, the year where everything changed. Jaco Pastorius hadn't quite emerged from nowhere, and the few prior recordings on which he could be found may have provided some hint of what was to come, but it was the quadruple punch of fellow legend-in-the-making Pat Metheny's leader debut Bright Size Life (ECM, 1976), ...

9

Article: Live Review

So Cal Jazz 2013: Highlights and a Serious Low

Read "So Cal Jazz 2013: Highlights and a Serious Low" reviewed by Chuck Koton


Azar Lawrence Quartet RG Club Venice, CA January-September 2013 2013, already slipping deep into the fog of forgetfulness, had its share of memorable jazz moments here in Southern California. And while, according to the Western, as well as the Chinese calender ( Happy Year of the Horse!), this review and these ...

1

News: Video / DVD

Video: Johnny Hodges, 1969

Video: Johnny Hodges, 1969

Johnny Hodges was an alto saxophonist who joined Duke Ellington in 1928 and developed a sweet, high-vibrato sound popularized in the 1930s by Benny Carter. He also was one of the smoothest swing improvisers on the instrument, praised by reed masters from Benny Goodman to Charlie Parker. Yesterday, I spent a few hours listening to “Rabbit," ...


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