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Article: Album Review

Ernesto Cervini: Turboprop

Read "Turboprop" reviewed by Edward Blanco

by Edward Blanco
March 26, 2015

Toronto jazz drummer Ernesto Cervini presents his fourth album as leader with the high-flying Turboprop offering a sophisticated modern jazz sound in a ten-piece repertoire of originals and standard material from the likes of Charlie Parker and Keith Jarrett among others. A robust drummer with a forceful presence on the drums, Cervini's style is reminiscent of ...

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Article: Building a Jazz Library

Art Pepper

by C. Michael Bailey
March 24, 2015

Alto Saxophonist Arthur Edward Pepper, Jr. (1925-1982) wanted to be known as the “greatest alto saxophonist in the world," a tall order considering contemporaries like Charlie Parker, Johnny Hodges, and Paul Desmond. In spite of this, Pepper outlived all of them while forging a unique and personal sound. Pepper, along with Desmond and Lee Konitz, were ...

Article: Interview

Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars

by Nicholas F. Mondello
March 21, 2015

Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...

Article: Interview

Glenn Zottola: A Jazz Life - The Early Years

by Nicholas F. Mondello
March 19, 2015

Article: Album Review

Katie Thiroux: Introducing Katie Thiroux

Read "Introducing Katie Thiroux" reviewed by C. Michael Bailey

by C. Michael Bailey
March 19, 2015

West Coast native and Berklee College of Music product Katie Thiroux possesses an embarrassment of talent riches. She is an accomplished bassist, vocalist, composer and band leader. Her debut recording, appropriately named Introducing Katie Thiroux, is precociously assertive, filling in every nook and cranny of the middle-of-the-road mainstream jazz. Thiroux employs a cleverly ...

Article: Album Review

Alyssa Allgood: Lady Bird

Read "Lady Bird" reviewed by C. Michael Bailey

by C. Michael Bailey
March 16, 2015

After two very promising vocalese offerings: Dorian Devin's The Procrastinator (Self Produced, 2013) and Angelica Matveeva's Vocalese (Self Produced, 2015), yet another traditional vocalese presents itself as an extended-play recording of what may be the most refined offering in the genre yet. Allgood's approach is superbly considered and delivered. Her command of the material has no ...

Article: Album Review

Sigurdur Flosason and Kjeld Lauritsen: Nightfall

Read "Nightfall" reviewed by Chris Mosey

by Chris Mosey
March 13, 2015

Icelandic saxophonist Sigurdur Flosason gets a pretty unique sound out of his instrument. His silky, rhapsodic style of playing harks back to Johnny Hodges but with more bite. There are only the very faintest echoes of Charlie Parker and hardly any of John Coltrane. Yet Flosason is both inventive and soulful. This is ...

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Article: Interview

A Remembrance of Percy Heath

by R.J. DeLuke
March 9, 2015

This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...

Article: Profile

We Three Kings: The Heath Brothers

by AAJ Staff
March 9, 2015

This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie." What an ...

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Article: Building a Jazz Library

Thelonious Monk

by Chris M. Slawecki
March 8, 2015

Thelonious Sphere Monk is one of the true great jazz originals. Monk's family moved from North Carolina to New York City while he was still an infant. He began piano lessons around age 12, playing Harlem rent parties then graduating to Harlem clubs such as Minton's Playhouse. Monk often played with Dizzy Gillespie and ...