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Article: Album Review

Giuseppe Venezia: I've Been Waiting For You

Read "I've Been Waiting For You" reviewed by Neil Duggan


One of the crucial abilities for a jazz bassist is to blend a group together; regardless of who is playing or soloing, they usually provide rhythmic or harmonic support. So when a bassist acts as leader, they have an intriguing viewpoint around which instrument should play when, and how to structure ensemble compositions for best effect. ...

3

Article: Album Review

Lux Quartet: Tomorrowland

Read "Tomorrowland" reviewed by Jerome Wilson


Lux Quartet is a new combination of four musicians who are all part of the more progressive branch of the jazz world, pianist Myra Melford: drummer Allison Miller, saxophonist Dayna Stephens and bassist Scott Colley. All four members contribute compositions to the band on this album which show off different facets of what the band is ...

3

Article: Book Review

Talking the Groove: Jazz Words from the Morning Star

Read "Talking the Groove: Jazz Words from the Morning Star" reviewed by Duncan Heining


Talking the Groove: Jazz Words from the Morning Star Chris Searle (foreword by Mike Westbrook) 394 pages ISBN: #978-1-9163206-7-3 Jazz in Britain 2024 Talking the Groove collects Chris Searle's more recent reviews, articles and interviews from the British socialist daily paper, the Morning Star, acting as a follow-up to ...

25

Article: Building a Jazz Library

Jazz on Soul, Pop, Rock, Folk, And Other Intangible Territories - Part 1

Read "Jazz on Soul, Pop, Rock, Folk, And Other Intangible Territories - Part 1" reviewed by Artur Moral


Part 1 | Part 2Jazz is synonymous with improvisation, but in many cases, it's also about adaptation. This means not just adjusting to new times and social changes, but also frequently reinterpreting songs from its own history and others beyond its vague borders. Here, we present ten highly disparate compositions from different genres, showcasing ...

7

Article: Album Review

Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill

Read "Live Upon Nassim Hill" reviewed by Ian Patterson


Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...

8

Article: Album Review

Hamilton de Holanda & Gonzalo Rubalcaba: Collab

Read "Collab" reviewed by Katchie Cartwright


Collab, the duo album from Cuban jazz pianist Gonzalo Rubalcaba and Brazilian choro mandolinist Hamilton de Holanda, is a sparkling collaboration between two contemporary masters of rhythm and improvisation. On the wings of a finely calibrated beat and a pliable form, they present 11 selections, adding new harmonic hues to the familiar, stretching, fracturing and reconstituting ...

6

Article: Album Review

Jake Noble: Letting Go Of A Dream

Read "Letting Go Of A Dream" reviewed by Dan McClenaghan


Making art is about a search for authenticity, a search for the truth. But the truth is complicated, and our perceptions of it can change over time. The concept for Letting Go Of A Dream, the debut recording from New Orleans-based bassist Jake Noble, began as a tribute to some of his well-chosen truth-telling heroes: pianist ...

14

Article: Album Review

Frank Ambrosetti & Strings: Sweet Caress

Read "Sweet Caress" reviewed by Dan McClenaghan


Swiss flugelhornist/trumpeter Franco Ambrosetti teamed with pianist/arranger Alan Broadbent in 2022 for the exquisite Nora (Enja Records), a top-shelf orchestral jazz album with a core group of mainstream all-stars. Listening back to the history of the 'jazz with strings' sub-genre--the shot across the bow, Charlie Parker With Strings (Verve, 1950), followed in short order by Chet ...

13

Article: Album Review

Ornette Coleman: Free Jazz To Ornette! Revisited

Read "Free Jazz To Ornette! Revisited" reviewed by John Eyles


For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...

9

Article: Album Review

Josh Lawrence: Measured Response

Read "Measured Response" reviewed by David A. Orthmann


Art Hirahara's brief, cryptic solo piano intro to “Where Do We Go?," the opening track of trumpeter/flugelhornist Josh Lawrence's album, offers little indication of what immediately follows: Lawrence's warm-toned, delectable horn surrounded by relaxed, straightforward, middling-tempo swing courtesy of bassist Luques Curtis and drummer Rudy Royston. This intriguing transition sets the stage for a recording that ...


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