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Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience
by Bill Dal Cerro
The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...
Bill Evans
by Mark Sabbatini
Arguably the greatest jazz pianist of the 1960s and '70s, Bill Evans is generally acknowledged as the most influential pianist since Bud Powell and a primary influence on players such as Keith Jarrett and Chick Corea. Evans co-wrote Kind Of Blue with Miles Davis and some consider the pianist's Sunday At The Village Vanguard the best ...
Adam Berenson: Lumen
by Karl Ackermann
More than forty years ago, Harry Nillson coined the phrase “A point in every direction is the same as no point at all" and as an axiom it has stood the test of time very well. However, Adam Berenson topples the adage with his unlimited imagination and a refined command of weaving multiple genres and sub-genres ...
Miles Davis: Kind of Blue
by Nenad Georgievski
In any kind of art form, music including, there are pathfinders who probe new territory and establish new trails, and this breed of people is indeed of a rare kind than the many who follow behind and eventually benefit from their trailblazing. One such pathfinder in the 20th century music was the great Miles Davis.Throughout his ...
Irek Wojtczak & The Fonda-Stevens Group: Wojtczak NY Connection
by C. Michael Bailey
Jazz from the edge of Eastern Europe. Wojtczak NY Connection is very much and East meets West jazz endeavor. Irek Wojtczak is a Polish saxophonist, conservatory trained and stage proven. For the Wojtczak NY Connection, Wojtczak joins the New York City-based Fonda/Stevens Group (bassist Joe Fonda and pianist Michael Stevens) for an internationally-flavored eutectoid. The results ...
Drawing Jazz
by Keith Henry Brown
A twist on the old cliché, “Those who can't play--draw,"--that's my personal point of view. I've been a jazz nut since as long as I can remember, and as soon as I could push a pencil--even though I could barely bang out a simple tune on a piano--I was sketching some of my favorite players, Charles ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Mauro Ottolini: Sousaphonix and Beyond
by Angelo Leonardi
Il Sousaphonix di Mauro Ottolini non ha bisogno di presentazioni. È una delle formazioni italiane più appassionanti e creative dell'ultimo decennio, dalla musica saldamente ancorata alla tradizione del jazz (fino a comprendere gli albori) e aperta a mille stimoli, dal rock all'avanguardia. In questi giorni è stato pubblicato il loro terzo album, Musica per ...
B. J. Ward & Donn Trenner: Double Feature
by Edward Blanco
Actress, film animator, narrator and prolific singer, B.J. Ward reunites with pianist Donn Trenner an old musical partner, to record their second album together forty years after their first collaboration. The film-themed Double Feature takes a trip down memory lane offering eleven love songs from old movies and one original. Ward and Trenner are no strangers ...
Charles McPherson: The Journey
by Edward Blanco
One of the original bebop artists of our time, alto saxophonist Charles McPherson adds to his legacy and marches through a selection of timely bop-infused material on The Journey, demonstrating his mastery of the idiom by transforming jazz classics into fresh-sounding bop tunes with a blend of originals rolled into one exciting package. Long associated with ...
