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Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Molly Tigre: Molly Tigre
by Chris M. Slawecki
Personally, I can't resist a musical story that begins: “Molly Tigre set out from Brooklyn to answer one tough question: What if the 70s vibes of the cult Ethiopiques series collided with Saharan desert rock and West African blues, but with no guitar to lead the melodic way?" I'm not quite sure what some of that ...
Brilliant Corners 2019
by Ian Patterson
Brilliant Corners 2019 The Black Box/Sonic Lab Belfast, N. Ireland March 2-9, 2019 For many years the words brilliant, jazz and Belfast rarely appeared in the same sentence. That all changed in 2013 when music promoters Moving On Music launched Brilliant Corners, subtitled A Festival of Jazz in Belfast. Since then, ...
Paul Tynan: quARTet
by Dan McClenaghan
Trumpeter Paul Tynan's offering for 2019 is entitled quARTtet, emphasis on the capitalization of the embedded word “art." Jazz recordings have a long history of pairing up with the visual arts, especially in the realm of album and CD cover images: The paintings on Charles Mingus' Mingus Ah Um (Columbia, 1959); all of pianist ...
Put It Where You Want It (But Find It Where You Put It)
by Chris M. Slawecki
Hip Spanic All-Stars Old-School Revolution Self-Produced 2018 If you think that Old School Revolution sounds both familiar and new, you're right. In the late 2000s, bassist and singer Happy Sanchez, saxophonist Norbert Stachel (Tower of Power), percussionist Karl Perazzo (a longstanding member of Santana), ...
Cykada: Cykada
by Chris May
Cykada has been making waves on London's genre-melting alternative-jazz scene since 2017, but has yet to acquire a profile akin to those of some of the other bands with which its musicians are involved. These include spiritual-jazz septet Maisha and the Afrobeat-infused Ezra Collective. The release of Cykada, however, is going to strap a booster rocket ...
“Harlem 1958” - Celebrazione di un evento irripetibile
by Gaetano Fiore
Una foto, semplicemente una “foto," non uno scatto veloce, affrettato o rassicurante come per il “digitale," bensì qualcosa di tangibile, quasi materico, che fa pensare a quanta fatica e desiderio siano stati spesi per generare un'immagine tanto bella e significativa. Sì, un'immagine poi diventata manifesto emblematico nonché straordinaria celebrazione di un evento irripetibile. Appassionati, conoscitori, esperti ...
Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions
by Mike Jurkovic
2018 was a spectacular year for archival jazz. Just a quick glance at last year's releases includes John Coltrane's Both Directions At Once: The Lost Album (Verve), Coltrane's further adventures on Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. 6 (Legacy), and Erroll Garner's revelatory Nightconcert (Mack Avenue Records) quickly taking its ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Patchwork Jazz Orchestra: The Adventures of Mr Pottercakes
by Roger Farbey
Maybe the quickest way to sum-up Patchwork Jazz Orchestra's The Adventures Of Mr Pottercakes would be to appropriate the title of The Who's 1971 compilation album, Meaty Beaty Big And Bouncy. For that is exactly what it is and quite a bit more besides. From the very start of the opening title track, there's a reminder ...
