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Charles Lloyd: Mirror
by Hrayr Attarian
Charles Lloyd's Mirror is an intensely personal almost autobiographical work. This is apparent from the opener, a deconstructing of the standard “I Fall in Love Too Easily," where the saxophonist's urgent and pleading tone accurately conveys the feeling of unrequited love. The first track bleeds into the next, the traditional gospel tune “Go Down Moses," rearranged ...
Punkt Festival 2010
by John Kelman
The trials and tribulations of international travel--flight delays, missing or damaged baggage, and increasing limitations on said baggage--can be enough to frustrate even the most patient and seasoned world traveler. But despite an almost incredible confluence of problems flying to Kristiansand, Norway, for Punkt 2010, once there all such problems were forgotten. Punkt is simply too ...
George Cartwright: Barrier Islands Bird
by Gordon Marshall
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...
Take Five with Albert Beger
by AAJ Staff
Meet Albert Beger:Albert Beger, the free-jazz pioneer and innovator, with his ninth album Peacemaker. Accompanied by his new electro-acoustic band, combining acoustic instruments and noise/glitches laptop works. Albert brings his music to a new level of creation and band dynamic. Following his critically acclaimed Big Mother, Peacemaker returns to a more personal, introspective observation ...
Charles Lloyd Quartet: Mirror
by John Kelman
Sometimes the trust in knowing can yield more than the excitement of uncharted territory. Charles Lloyd ratchets down the energy from Rabo De Nube (ECM, 2008), one of the most exciting, free-wheeling albums and new groups of the saxophonist's half century career. Relying on the quartet's increasingly profound chemistry--and mostly recycled material rather than Rabo's largely ...
Matt Slocum Trio Live At The Saville Theater
by Robert Bush
Matt Slocum Trio Saville Theater, San Diego City College San Diego, CA August 10, 2010 Matt Slocum is a promising young drummer/composer who appears to be going places in jazz. A graduate of the prestigious Thornton School Of Music at USC, where he studied with Peter Erskine, (Weather Report, Stan ...
Zbigniew Seifert Quartet: Nora
by John Kelman
With a trajectory only starting to expand beyond his native Poland, before succumbing to complications from cancer in 1979 at age 32, it's little surprise that Zbigniew Seifert has flown largely beneath the radar of even the most knowledgeable jazzer. Still, it appears as though overdue attention is finally returning to this remarkable violinist, whose Man ...
Lenny White: Jazz/Rock Collides Again
by Carl L. Hager
When that cool, overcast dawn arrived in Bethel, New York, neither the Woodstock Music and Arts Fair's expired permit, nor the rain, mud, and technical problems could have kept Jimi Hendrix and his Band of Gypsys from playing. It was destiny. Believe it. A hundred miles south on that same morning of August ...
Nat Birchall: Alone In The Music
by Chris May
Two of the most over-used phrases in music journalism are “overnight star" and “out of nowhere," and so apologies for starting with them here. But when it comes to describing British saxophonist Nat Birchall, they have an unusual degree of exactitude. Birchall, born in 1957 in the rural seclusion of the hill country of North-West England, ...
Silvio Rodriguez: Segunda Cita
by Jeff Dayton-Johnson
Jazz fans will be familiar with Cuban singer-songwriter Silvio Rodríguez as the composer of “Rabo de Nube," a musical air of impossible loveliness highlighted as the title track of a 2008 album on ECM by Charles Lloyd; there's also an earlier version by Charlie Haden's Liberation Music Orchestra, on their Dream Keeper (DIW, 1990). Lloyd, in ...
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