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Bacharach to the Future - Part 2
by Ludovico Granvassu
As a young adult, Burt Bacharach used fake IDs to get into 52nd Street jazz clubs to have his mind blown by heroes of the bebop revolution like Charlie Parker and Dizzy Gillespie. Those early impressions could not but leave a mark in his sophisticated pop songs, seeds that would later make those very same songs ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
Louis Stewart: Out On His Own
by Ian Patterson
In his lifetime, Irish guitarist Louis Stewart was probably more celebrated abroad than at home, winning the Best Soloist prize at Montreux Jazz Festival in 1968, playing in the house band at Ronnie Scott's and touring with Benny Goodman, J.J. Johnson and George Shearing. His third album, his extraordinary solo opus Out On His Own, was ...
The Blue Note Label
by Jerome Wilson
This show, from July 2021, covers two hours worth of the extensive legacy of the Blue Note record label, examining some of the label's rich past as well as its present. The program goes all the way from Lee Morgan and Bud Powell to Joel Ross and Ambrose Akinmusire. Playlist Henry Threadgill Sextett “I ...
Terje Rypdal: Odyssey: In Studio and In Concert
by John Kelman
To achieve confluence, an artist must first demonstrate multiplicity. With the benefit of hindsight, the meeting of disparate concepts might appear inevitable when reassessing a decades-long career, but few artists actually possess not only the building blocks but the intuition and acumen to achieve what is, in Sanskrit, called Sangam. That ECM has two recordings using ...
The Artists Of ECM Records
by Maurice Hogue
I've often tried to make the last show of a year a little different. Doing a special on ECM is an idea I've had for a while, and things finally came together to do it for 2022. I've always figured I had a great number of ECM releases in my collection, and when I started culling ...
A Few More of My Favorite 2022 Jazz Things, Part 1
by Ludovico Granvassu
Twelve months have gone by so fast, and so much has happened... At the beginning of the year we were still under various degrees of lockdown or social distancing, now we have a war, weather patterns and a financial situation that are crazier than ever. One positive thread through these months, however, has been the relentless ...
Ten Essential Keith Jarrett Solo Recordings
by Karl Ackermann
Keith Jarrett is a perfectionist. Perfection and innovation are, more often than not, mutually exclusive qualities and that is where Jarrett reveals his unique strain of genius. He remains the most respected and influential figure in the world of jazz, improvisation, and beyond. Despite two strokes that have permanently left him unable to play piano, his ...
Favorite Jazz of 2022
by Jerome Wilson
This show looks back at 2022 by playing my favorite jazz recordings of the past year. Musicians featured include Nate Wooley (with his group Columbia Icefield), Hedvig Mollestad, Tyshawn Sorey, Wayne Shorter, and Bill Frisell. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of ...
Bells On Sand
Label: Blue Note Records
Released: 2022
Track listing: Water’s Edge; Elegia; Damunt De Tu Nomes Les Flors; My Ideal I: That Roy; Rip; Just A Dream; My Ideal 2; Peace Invocation; There Is Music Where You’re Going My Friends.
