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Musician

Charles Davis

Born:

Born in Mississippi and raised in Chicago, Charles graduated from the famous DuSable High School, studied at the Chicago School of Music and was a private student of John Hauser. 50’s -- Played in the bands of Billie Holiday and Ben Webster, Sun Ra and Dinah Washington. Performed and recorded with Kenny Dorham with whom he had a musical association that lasted many years. 60’s -- Performed and recorded with Elvin Jones and Jimmy Garrison, Illinois Jacquet, Freddie Hubbard, Johnny Griffin, Steve Lacy, Ahmad Jamal and worked with Blue Mitchell, Erskine Hawkins, John Coltrane, Clifford Jordan, among others

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Article: Live Review

Sun Ra Arkestra at Great American Music Hall

Read "Sun Ra Arkestra at Great American Music Hall" reviewed by Harry S. Pariser


Sun Ra Arkestra SFJAZZ Center San Francisco, California February 6-8, 2024 Over the decades, music venues in jny: San Francisco have come and gone, but one constant remains: Great American Music Hall. A house of ill repute when it first opened in 1907, the building has gone through several transitions as ...

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Article: Album Review

Archie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited

Read "The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited" reviewed by Chris May


2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over ...

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Article: Radio & Podcasts

Why Jazz: Part 1

Read "Why Jazz: Part 1" reviewed by Monk Rowe


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Article: Building a Jazz Library

George Coleman: An Alternative Top Ten Albums

Read "George Coleman: An Alternative Top Ten Albums" reviewed by Chris May


Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...

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Article: Rethinking Jazz Cultures

Lebanon: Jazz And The Revolution

Read "Lebanon: Jazz And The Revolution" reviewed by Ian Patterson


When people's anger and frustration spill onto Beirut's streets, music is one of the first things to suffer. Every few years, it seems, roads are blocked, and crowds swell the downtown area—angry at Syrian intervention or political assassination, enraged by Israeli attack, sick to the teeth of inadequate garbage collection. There's always something to ...

Album

Sun Ra at Inter​-​Media Arts, 1991

Label: Self Produced
Released: 2015
Track listing: Percussion intro / Springtime Again; Advice to Medics / Friendly Galaxy; Love in Outer Space; Hocus Pocus; The Mayan Temples; Yeah Man!; Prelude to a Kiss; Space is the Place / We Travel the Spaceways; Opus in Springtime; Early Autumn; Retrospect / East of the Sun; Carefree; Cocktails for Two; Planet Earth Day; Space Loneliness; We Travel the Spaceways.

Album

For The Love Of Lori

Label: Reade Street Records
Released: 2014
Track listing: Begues; What'll I Do?; Juliano; KD; For The Love Of Lori; Into Himalayas; Cedar's Blues; I'll Be Seeing You.

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Article: Album Review

Jimmy Heath BIg Band: Live at the Blue Note

Read "Live at the Blue Note" reviewed by Maurizio Zerbo


Inciso al Blue Note di New York, questo CD riunisce una big band stellare comprendente alcuni dei migliori jazzisti contemporanei. La guida il magnifico sassofonista Jimmy Heath, uno dei musician's musicians per eccellenza nel jazz. Sembra incredibile, ma questo è solo il suo terzo CD per big band in 60 anni di carriera a fronte di ...

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Article: Album Review

Charles Davis: For The Love Of Lori

Read "For The Love Of Lori" reviewed by Hrayr Attarian


Saxophonist Charles Davis' paean to his late wife, For the Love of Lori, is more of a musical celebration of her spirit than a requiem. Sure, there are moments of intense sorrow and nostalgic melancholy but they are enveloped in positive, swinging creativity. On “What'll I Do?" for instance, Davis' wistful soliloquy is filled ...


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