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The CCM Jazz Orchestra feat. Steven Bernstein: Nobody Does It Better
by Angelo Leonardi
Anni fa Steven Bernstein pubblicò un frizzante album con le musiche di John Barry scritte per i film su James Bond (Sex Mob Does Bond, Ropeadope 2001). Ora quegli arrangiamenti acquistano nuova vita nella riscrittura per grande orchestra propiziata da Scott Belck, direttore musicale della CCM Jazz Orchestra, big band del Cincinnati College of Music.
Tom Abbs & Frequency Response: Hawthorne
by Don Phipps
On his album Hawthorne, Brooklyn-based Tom Abbs showcases his mastery of several instruments and writing styles. Combining free, hard bop, world, and blues styles, Abbs's compositions juxtapose explosive exposés of new music with idioms that hearken back to ancient times. Abbs is joined by Jean Cook and Jenna Barvitski on violin, Brian Settles on ...
The Necks: Body
by Mark Sullivan
Their official biography calls The Necks “one of the great cult bands of Australia," which says more about their fan base than the music they play. But it's still not a bad place to start; certainly, the mesmerizing improvised, slow-moving sound they create together is not likely to attract a mass audience. Like most of their ...
Szun Waves: New Hymn To Freedom
by Gareth Thompson
Pythagoras had this notion that the Sun, Moon and planets all emit their own unique hum. Put simply, as these orbs travel through space they produce certain sound waves. Ever wondered what that might actually sound like? Wonder no more, for this second album from vanguard jazz trio Szun Waves is surely what Pythagoras had in ...
Steve Coleman and Five Elements: Live at the Village Vanguard, Vol. 1 (The Embedded Sets)
by Mark Corroto
Do you long for the days when jazz was punk? Not meaning music that is loud and out-of-control. but punk as in innovative, nonconformist, and seditious. One hundred years ago, the music of Louis Armstrong was punk, and a few decades later so was Charlie Parker's revolutionary bebop. You probably did not witness those rebellions, nor ...
Joshua Trinidad: In November
by Alberto Bazzurro
Settimo album a nome del trentaquattrenne trombettista di origine messicana (in realtà è nato e vive a Denver) Joshua Trinidad, inciso in Norvegia nel novembre 2015 con musicisti appunto norvegesi (che peraltro collaborano con lui da tempo). Una certa sonorità nordica, controllata, parsimoniosa, evocativa, sta in effetti alla base del disco, che tuttavia è contrassegnato da ...
Stan Kenton Legacy Orchestra: Flyin' Through Florida
by Jack Bowers
The number of jazz-centered big bands “on the road" these days can be counted on the fingers of one hand with a digit or two to spare. The Glenn Miller and Count Basie orchestras remain randomly active, the Duke Ellington and Woody Herman progeny somewhat less so. As for the rest . . . R.I.P. Stan ...
Paykuna: Raíces
by Geno Thackara
Looking at a title that means “Roots," one naturally thinks of an artist paying homage to their place of origin. It's not quite that simple in the case of Paykuna; the group's well-traveled leader Demian Coca has roots in both the folk of South America and the classy modern jazz of Europe, specifically his home of ...
Kate Westbrook: GRANITE
by Roger Farbey
Over the years, Kate Westbrook has recorded an impressive number of albums with her husband Mike; from 1975's For The Record onwards. She's released a clutch under her own name too, including Good-Bye Peter Lorre (2005), Cuff Clout (2004) and The Nijinska Chamber (2006)--all on Voiceprint Records. Without doubt, her vocal delivery is stylised and idiosyncratic, ...
Gunter Baby Sommer: Baby's Party
by Mark Corroto
The music from the German duo of Günter Baby Sommer and Till Brönner is best described as gestural, meaning the pair utilizes posture and body movement to effect an oratory--in this case the somatic nature of Sommer's drum and percussion work and the flow of breath through Brönner's trumpet and flugelhorn. On the occasion ...
