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Miguel Zenon: Yo Soy La Tradicion
by Mark Corroto
As a rule, it is best to encounter a piece of music with an appreciation of its provenance. For jazz listeners, even though the act of listening is an exercise in discovery, roots are rarely an issue. That is, until an artist delivers something novel. Such is the case with Yo Soy La Tradicion by saxophonist ...
Hubert Dupont: Smart Grid
by Samuel Stroup
Hubert Dupont's new live album, Smart Grid, finds the seasoned French bassist in good company. With the assistance of saxophonist Denis Guivarc'h, pianist Yvan Robilliard, and drummer Pierre Mangeard, Dupont manages to give the set's six original tunes the utmost life. The exceptional work of the quartet makes itself known in not only their improvisation and ...
Z-Country Paradise: Live in Lisbon
by Glenn Astarita
The multinational quintet revs up the audience on this wild and scruffy excursion that skirts a misty demarcation between punk jazz and avant-garde improvisation along with off-kilter jazz rock tendencies. Vocalist Jelena Kuljic's guileful and emotive iterations instill hip, Beat Generation-like narratives in concert with the band's jarring and edgy grooves via some recoiling breakouts and ...
Olli Ahvenlahti: Thinking, Whistling
by Alberto Bazzurro
Il pianista finlandese Olli Ahvenlahti, classe 1949, in questa che è la sua incisione più recente, datata luglio 2017, dirige un quartetto dalle geometrie nitide, correttissime, quanto assolutamente asservite a un linguaggio decisamente tradizionale. Naturalmente ognuno è libero di suonare (anche bene, come accade appunto qui) la musica che preferisce, ma è ovvio che risentire per ...
Joris Teepe: Conversations
by Angelo Leonardi
Don Braden appartiene a quella schiera di sassofonisti emersi tra gli anni ottanta e novanta sull'onda di un neo bop caratterizzato da forti legami coi maestri degli anni cinquanta e sessanta (Sonny Rollins, John Coltrane, Joe Henderson, Wayne Shorter) e relazioni col modello Blue Note. In un quarto di secolo ha espresso al ...
Itai Kriss and Telavana: Itai Kriss and Telavana
by Dan Bilawsky
A good seven thousand miles separate the Middle East and the Caribbean, but are they truly that far apart? With flutist Itai Kriss and his band, Telavana, spanning the two, that distance seems to vanish. Kriss, a native Israeli, has spent the past fifteen years immersed in the scene in his adopted home ...
John Bailey: Oneiric Sounds
by Karl Ackermann
English guitarist and composer John Bailey holds a Master's Degree in Jazz Performance but has a background that includes a fondness for everything from heavy metal to classical music. The latter of the two is in evidence throughout the two suites that comprise Oneiric Sounds, a study in the blending of jazz and classical influences. This ...
Per Gärdin / Travassos / Marco Franco: Oblique (trio)
by Mark Corroto
You've come to expect a music review to direct you to pay close attention to a particular passage or solo in a recording. But what if a commentator suggested the best manner to appreciate a recording was to dissipate one's attention and dissolve it into the ether? How would you then experience the music? Would it ...
Raul Midon: If You Really Want
by Chris Mosey
Raul Midon plays guitar and sings like Paul Simon. Born blind in New Mexico in 1966, The New York Times once called him “a one-man band who turns a guitar into an orchestra and his voice into a chorus." He was going somewhere once upon a time. Now he's back, still going somewhere. ...
Hugh Coltman: Who's Happy?
by Angelo Leonardi
Trasferitosi a Parigi nel 1999 dopo la separazione dal gruppo rock blues The Hoax, il cantante inglese Hugh Coltman ha realizzato una carriera solista con varie collaborazioni (tra cui quella col pianista Eric Legnini e le cantanti Krystle Warren, Vanessa Paradis e Mayra Andrade) più un temporaneo ritorno con la vecchia band. In terra ...
