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Kuniko: Bach: Solo Works for Marimba
by C. Michael Bailey
Johann Sebastian Bach. His music is a cornerstone of Western Civilization. On reason Bach's music has had staying power in our quickly evolving culture is its durability. Bach's music has been effectively framed by vastly different instrumental approaches. These include Vittorio Ghielmi's near-the-intent viol consort approach to The Art of Fugue (Winter & Winter, 2009), through ...
Rain Sultanov: Inspired by Nature
by Ian Patterson
Azerbaijani saxophonist/composer Rain Sultanov has long drawn inspiration from his country's rich culture and stunning landscapes. On Inspired by Nature--Sultanov's eighth release as leader--the saxophonist toggles between lyrical balladry and passionate exposition as he takes Azerbaijan's nature as his muse. And it has been an epic venture. With a band of trusted musicians, Sultanov led an ...
Daunik Lazro: Garden(s)
by Glenn Astarita
This progressive French trio features musicians who have respectively been at the forefront of Euro improvisational circles, partaking in numerous small and large ensemble formats. The synergy and inventive concepts many of us would anticipate is wholly inherent here, as the band covers Duke Ellington, Albert Ayler and John Coltrane bordering three group composed pieces “Garden(s) ...
Charles Rumback: Threes
by Troy Dostert
In becoming an outlet for the Chicago scene and elsewhere during the last ten years, the ears&eyes label has recently done its share to highlight the work of drummer Charles Rumback. 2015 was a particularly productive year for him, in fact: he released a quartet record (In the New Year) with altoist Caroline Davis, guitarist Jeff ...
Antoine Beuger: Ockeghem Octets
by John Eyles
Between “dedekind duos" (2003) and “ihwe tunings for twenty" (2005), Wandelweiser co-founder Antoine Beuger wrote a series of pieces for groupings of all sizes from two members up to twenty, the scores being published by Wandelweiser. In each piece, the musicians softly play long, sustained notes designated in the score, with the ebbing and flowing tones ...
Innocent When You Dream: Dirt In The Ground
by Dan Bilawsky
Everybody loves Tom Waits. Okay, that may be a bit of an exaggeration. But a hell of a lot of musicians admire his work. There are far too many acts to list that have taken a stab at a single Waits song at one time or another--everybody from Diana Krall to The Ramones--and artists as dissimilar ...
Dave Stryker: Strykin’ Ahead
by Roger Farbey
Hot on the heels of his 2016 release, the soul and rock infused Eight Track II comes Dave Stryker's punningly titled Strykin' Ahead with a mix of standards and Stryker originals. Following the lively opener, “Shadowboxing," a Stryker original, comes a rather more sedate version of Wayne Shorter's “Footprints" followed by Stryker's “New You" in which ...
The Master Musicians Of Jajouka & Material: Apocalypse Live
by Martin Longley
This is another entry for M.O.D.'s new download-only Digital Incunabula series, which concentrates on live recordings from the Bill Laswell vaults. Here's a Jajouka/Material set from 2015's Gent Jazz Festival in Belgium, a performance actually witnessed by your scribe. The five-piece Jajouka Sufi trance contingent (from the eponymous mountain village in Morocco) are led by Bachir ...
Per Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy
by Mark Corroto
It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against ...
Charles Lloyd: Passin' Thru
by Dan Bilawsky
Admit it. You were wondering if Charles Lloyd's post-millennial quartet was no more. Am I right? We haven't really heard from that group in a while, so nobody could blame you for thinking it. When Lloyd made the jump to Blue Note Records in 2015, his opening salvo came in the form of ...
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