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Tim Armacost: Time Being
by Geno Thackara
From the initial trotting bass solo smoothly segueing into a toe-tapping slice of timeless bop, Time Being's opening jaunt makes an introduction fascinatingly tricky and inviting. Those familiar with the wide-ranging saxophonist Tim Armacost, however, know he's got much more still up his sleeve--and that no matter how complicated things get, they'll stay listenable and accessible ...
Trespass Trio: The Spirit Of Piteşti
by John Sharpe
Swedish reedman Martin Küchen ploughs a rich variety of furrows, from explorative improvised summits to his rambunctious Angles aggregations, but one of the most enduring has been his Trespass Trio. On The Spirit Of Pitești, the fourth entry in the band's discography, he is joined by the same crew there since the inception, bassist Per Zanussi ...
Joe Zawinul: Faces and Places
by Kris Perdew
It is reassuring and life-affirming to hear in Faces and Places, a return to form for Joe Zawinul at age 70. On this album, the Austrian-born keyboardist revisits many of the themes he originally unveiled with his famous collective Weather Report three decades ago. On this exceptional set, Zawinul is joined by Cameroonian bassist and singer ...
John McLean: Parts Unknown
by Friedrich Kunzmann
This inventive Chicago Quartet finds Kurt Elling's long time backing team comprised of guitarist John McLean and bassist Clark Sommers pushing into original sonic adventures with fresh modern twists. The band's debut outing for Origin Records also features drummer Xavier Breaker and vibes veteran Joe Locke whose tone and style accompanies and interacts perfectly with John ...
Maria Grand: Tetrawind
by Vincenzo Roggero
Maria Grand, madre svizzera, padre argentino, dal 2011 residente a New York, a soli venticinque anni può vantare una serie di collaborazioni da far tremare i polsi -Tyshawn Sorey, Doug Hammond, Craig Taborn, Vijay Iyer -oltre ad essere membro stabile dei Five Elements di Steve Coleman e new entry del trio di Steve Lehman. Insomma, roba ...
Eden Ladin: Yequm
by Dan Bilawsky
The universe essentially speaks to infinite space and matter. But on a smaller scale we each exist and operate within our own universe(s), more defined domains plotted out by our experiences and measured by our respective developments. Yequm, an album that takes its title from the Hebrew word for “universe," is wholly representative ...
William Evans/Donat Fisch/Banz Oester/Jorge Rossy/Andy Scherrer: Schlitten
by Dan McClenaghan
The Swiss CD release, Schlitten, tips a hat to the undersung record producer, Don Schlitten. The quintet doing the hat-tipping is mostly Swiss musicians. Drummer Jorge Rossy, formerly of the Brad Mehldau Trio, is Spanish-born. Schlitten got his start working the music business with several of the small but prestigious record companies--Muse and Prestige, ...
Trio Heinz Herbert: The Willisau Concert
by John Sharpe
It can't do any harm as an aspiring musician if a close relation runs a record company. But let's be clear that the young Swiss threesome Trio Heinz Herbert's appearance on the esteemed Intakt imprint is based entirely on merit, without a whiff of nepotism on the air. Right that's got that out of the way. ...
Ian Brighton & Henry Kaiser: Together Apart
by Roger Farbey
The title of the album explains its realisation; Britain's Ian Brighton and Henry Kaiser from California recorded their respective contributions locally and then Kaiser had them melded seamlessly together. Whilst this methodology is true for nine of the eleven tracks, the first two are solo pieces. “In Memoriam--Jack and Rose Brighton," the longest cut at just ...
Satoko Fujii, Wadada Leo Smith, Natsuki Tamura, Ikue Mori: Aspiration
by Alberto Bazzurro
Quattro pezzi di Satoko Fujii, uno di Natsuki Tamura e un'improvvisazione collettiva compongono questo album, riferibile in primo luogo alla pianista, ma che prosegue al tempo stesso la serie di produzioni discografiche della coppia Fujii/Tamura (che come molti sapranno sono moglie e marito), in questi ultimi anni particolarmente trafficata, con esiti non sempre all'altezza di quanto ...
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