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Jerome Sabbagh and Greg Tuohey: No Filter
by Peter J. Hoetjes
So much regard is given to audio quality in the 21st century that there has become something of an obsession with “purity." A desire for music that has no digital manipulation, no computers layering sounds together. As co-band leaders, Jerome Sabbagh and Greg Tuohey resolved to attain this quality on No Filter by recording the album ...
Bootsie Barnes & Larry McKenna: The More I See You
by Jack Bowers
What a genuine pleasure it is to hang loose and appreciate the warm and enticing sounds and impressive teamwork of Philadelphia tenor saxophone legends Bootsie Barnes and Larry McKenna, a couple of seasoned pros who blend together as smoothly as marmalade on toast. It has been said--more than once--that experience is the best teacher, that there's ...
Juan Dhas: Catharsis
by Mike Jurkovic
Acutely adept at both the simmer and boil of his mercurial compositions and a fluid improviser, guitarist/composer Juan Dhas, a Summa Cum Laude graduate from the Berklee College of Music at the age of twenty, proves himself a maturing, expansive and ever thoughtful player on Catharsis. As first heard on Embracing Clarity, his self ...
Massimo De Mattia, Giorgio Pacorig, Giovanni Maier, Stefano Giust: Desidero vedere, sento
by Neri Pollastri
Dopo il recente ed entusiasmante trio con Michele Rabbia, Floating Lines, Giorgio Pacorig e Giovanni Maier tornano a collaborare, stavolta in un quartetto completato dal batterista Stefano Giust e dal flautista Massimo De Mattia, due loro vecchie conoscenze. La registrazione è stata effettuata nell'ottobre 2016 al Teatro San Leonardo di Bologna, sotto gli auspici di Angelica, ...
Fred Hersch Trio '97: Fred Hersch Trio '97 @ The Village Vanguard
by Dan McClenaghan
Pianist Fred Hersch paid some dues at the Village Vanguard, sitting in as a sideman there from 1979 on, playing with the bands of saxophonist Joe Henderson, trumpeter Art Farmer, alto sax man Lee Konitz, and bassist Ron Carter. But he waited until 1997 to make his debut as a leader. That debut was captured on ...
Satoko Fujii / Yuko Yamaoka: Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii
by Karl Ackermann
Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii is the eleventh of twelve releases to be issued as part of Satoko Fujii's year-long, sixtieth birthday celebration. The previous ten releases this year have shown us an exceptional artist as she works in a variety of musical modes, and in formations from solo to orchestra, ...
Kristinn Kristinsson: Module
by Mark Sullivan
Icelandic guitarist Kristinn Kristinsson--now a Basil, Switzerland resident--is a member of several bands. He was heard most recently on Monoglot's Wrong Turns And Dead Ends (Hout Records, 2017), but this is his debut as a solo artist (he also created the album cover art). He means “solo" literally: the entire program is performed on a single ...
Jorge Rossy Vibes Quintet: Beyond Sunday
by Roger Farbey
The dreamy “Beyond Sunday" opens this recording and sets the pace for the whole album. Whilst leader Jorge Rossy is better known as a drummer, especially with Brad Mehldau's trio with whom he's made a dozen records, he's only playing vibes here. Meanwhile the drumming is taken care of by the legendary Al Foster. Whilst this ...
Anders Lønne Grønseth: Multiverse
by Mike Jurkovic
Built and fully realized in its moment of fruition, Norwegian saxophonist and bass clarinetist Anders Lønne Grønseth's Multiverse lays waste to the tired notion that music from the Scandinavian hinterlands has to bear the mark of chilly emotion. The musical flow and invention heard so immediately on Multiverse is a restless wonder, resulting in ...
Sam Wilkes: Wilkes
by Matt Hooke
A debut album by a bassist sometimes features displays of tremendous virtuosity, an attempt to expand the boundaries of an instrument often relegated to the background. Think of Jaco Pastorius's self-titled debut album. On Wilkes, LA session musician Sam Wilkes, best known for backing electronic duo Knowner, goes in the opposite direction, and that's what makes ...
