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Jami Lynn: Sparse
by Don Phipps
Recorded live at the Community Reformed Church, Sioux Falls, South Dakota, Sparse offers up new ground for folk singer Jami Lynn. The album is a collaborative effort with bassist Andrew Reinartz and members of the JAS quintet. Sparse presents a modest reading of such jazz standards like “Autumn Leaves" and the Billie Holiday/Arthur Herzog Jr. blues ...
John Raymond & Real Feels: Joy Ride
by Dan Bilawsky
There's something to be said for the centered and warm sound qualities born of a flugelhorn fronting a bass-less trio. Even when John Raymond ratchets up the intensity on his original compositions--the choppy title track in five, the circuitous “Follower"--there's a sense of sonic evenhandedness reflecting both the instrument's depth of character and the artist's depth ...
Wes Montgomery: In Paris: The Definitive ORTF Recording
by Geno Thackara
Resonance Records has done it again--where it is polishing up an old find for the great-sounding and excellently-presented (and not least, legitimate) release it deserves. As par for the label's course, this package boasts quality mastering and a top-notch insert of liner notes, photos and background commentary. It also marks this famous performance's first authorized release ...
Satoko Fujii: Solo
by Mark Corroto
Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience. How then do we categorize the music of Satoko Fujii? ...
Gabriel Alegría Afro-Peruvian Sextet: Diablo en Brooklyn
by Chris M. Slawecki
Gabriel Alegría is proud of the first five recordings by his Afro-Peruvian Sextet, but he's more proud of his sixth, Diablo en Brooklyn, than the rest. First, it's his first Sextet release completely recorded in Peru. Second, it reprises in-concert versions of band originals released on previous albums plus a twelve-minute hothouse expedition through the Gershwins' ...
Eve Risser & Kaja Draksler: To Pianos
by Ian Patterson
It's easy to forget that the piano is a percussion instrument, so hardwired are out brains to expecting tunes you can hum or whistle from its eighty eight keys. In this work commissioned by Jazz Festival Ljubljana and recorded there in 2016 and 2017, pianists Eve Risser (France) and Kaja Draksler (Slovenia) certainly mine the percussive ...
Bobo Stenson: Contra la indecision
by Karl Ackermann
With a few exceptions, Swedish pianist Bobo Stenson has spent his long recording career with the prestigious ECM label, dating back to his oddly named Underwear in 1971. That particular album turned out to be more a showcase for bassist Arild Andersen and drummer Jon Christensen than for Stenson, and the pianist did not lead again ...
Samuel Hällkvist: Variety of Rhythm
by Mark Corroto
Somewhere Miles Davis and Teo Macero are smiling. Swedish guitarist Samuel Hällkvist has taken their approach and refined it for the 21st century. What Macero began, with a razor blade and hours of fragmented and seemingly disjointed studio sessions, turned into the infamous Bitches Brew (Columbia, 1970). Hällkvist journeys a similar path, and most significantly here, ...
Da Cruz: Eco Do Futuro
by Chris M. Slawecki
The chronology: Eco Do Futuro is the fifth album by the band named for leader and vocalist Mariana Da Cruz. All four previous Da Cruz releases reached the US college radio chart top ten; they recorded all five in their own studio, Boom Jah Studios in Switzerland. The music: “Da Cruz is the collision ...
Simone Beneventi - Andrea Rebaudengo: Duals
by Neri Pollastri
Tre composizioni di contemporanea per pianoforte e percussioni, di assai diverse durate -rispettivamente trentatré, sette e diciotto minuti -ma interpretate con unità stilistica dai due protagonisti, Simone Beneventi alle percussioni e Andrea Rebaudengo al pianoforte, grazie alle coloriture timbriche comuni. Questo il contenuto di Duals, che riprende il titolo dalla prima delle tre opere, a firma ...
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